Art & Language 1966-1975

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Contents

	Title	pg.
1.	Retrospective Exhibitions and Current Practice (A Recommendation for Optimistic Amnesia)	1-3
2.	'We have some non-utilitarian problems (of notation) in the face of...'	4-6
3.	This Connects with the Given Political Moment, etc....	7-9
4.	To Boring Professors...Transitional Demands	10-11
5.	'A point of reference...or what? Individual (distributed) ideo-prac-...'	12-14
6.	Dialectic and Unsightly Drinking: Art Galleries as the Putative Sites of Non-Trivial Conflict	15-17
7.	Notes...More Worry about Going-On	18-20
8.	The Preservation of the Species: Direct Speech	21-22
9.	The Preservation of the Species: Counter Course	23-24
10.	'Putative art practice in Britain is focussed on the art schools. Most...'	25-27
11.	Self-Superseding Strategy...or the Given Political Moment	28-32
12.	Good Evening...It's Modern Amusements Time Again	33-36
13.	For the B.B.C.: A Visual Description of...	37-39
14.	'The requirement that one should see his 'work' as 'in' the dialectic of...'	40
15.	Good Morning - Old-Fashioned Amusements	41-42
16.	'We might want to walk into over-complex iterations, just like a lot of...'	43
17.	Historically Proper Names	44-45
18.	Alphabet of Lenin - Intermediate Para-Structures	46-48
19.	Dear Stefan...	49-51

Background

Oxford: Museum of Modern Art, 1975. Exhibition catalogue which is written in parody of the Art-Language Journals.