| Title
|
pg.
|
| Retrospective Exhibitions and Current Practice (A Recommendation for Optimistic Amnesia)
|
1-3
|
| 'We have some non-utilitarian problems (of notation) in the face of...'
|
4-6
|
| This Connects with the Given Political Moment, etc....
|
7-9
|
| To Boring Professors...Transitional Demands
|
10-11
|
| 'A point of reference...or what? Individual (distributed) ideo-prac-...'
|
12-14
|
| Dialectic and Unsightly Drinking: Art Galleries as the Putative Sites of Non-Trivial Conflict
|
15-17
|
| Notes...More Worry about Going-On
|
18-20
|
| The Preservation of the Species: Direct Speech
|
21-22
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| The Preservation of the Species: Counter Course
|
23-24
|
| 'Putative art practice in Britain is focussed on the art schools. Most...'
|
25-27
|
| Self-Superseding Strategy...or the Given Political Moment
|
28-32
|
| Good Evening...It's Modern Amusements Time Again
|
33-36
|
| For the B.B.C.: A Visual Description of...
|
37-39
|
| 'The requirement that one should see his 'work' as 'in' the dialectic of...'
|
40
|
| Good Morning - Old-Fashioned Amusements
|
41-42
|
| 'We might want to walk into over-complex iterations, just like a lot of...'
|
43
|
| Historically Proper Names
|
44-45
|
| Alphabet of Lenin - Intermediate Para-Structures
|
46-48
|
| Dear Stefan...
|
49-51
|
