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== With the Red Crayola ==
[[Art & Language]] is an art group associated with conceptual art and post-modernism.


=== 1970s ===
== With The Red Crayola ==
Main article: [[The Red Crayola with Art & Language]]


* [[Corrected Slogans]]
<gallery mode="packed" heights="110">
* [[Nine Gross and Conspicuous Errors]]
File:Corrected-1982-front.png|link=Corrected Slogans|'''[[Corrected Slogans]]'''<br>1976
* [[Struggle in New York]]
File:Nine-Gross-and-Conspicuous-Errors-ad.jpg|link=Nine Gross and Conspicuous Errors|'''<small>[[Nine Gross and Conspicuous Errors]]</small>'''<br>1976
File:Something-Completely-Different-book-photo.jpg|link=And Now for Something Completely Different|'''<small>[[And Now for Something Completely Different]]</small>'''<br>1976


=== 1980s ===
File:Born-in-Flames-front.jpg|link=Born in Flames (single)|'''[[Born in Flames (single)|Born in Flames]]'''<br>1980
File:Kangaroo-front.jpg|link=Kangaroo?|'''[[Kangaroo?]]'''<br>1981
File:Old-Mans-Dream-front.jpg|link=An Old Man's Dream (single)|'''[[An Old Man's Dream (single)|An Old Man's Dream]]'''<br>1981
File:Ratman-front.jpg|link=Rattenmensch/Gewichtswächter (single)|'''[[Rattenmensch/Gewichtswächter (single)|Rattenmensch/Gewichtswächter]]'''<br>1981
File:Black-Snakes-front.png|link=Black Snakes|'''[[Black Snakes]]'''<br>1983
File:Child-Care-front.png|link=Baby and Child Care|'''[[Baby and Child Care]]'''<br>1984


* Born in Flames
File:Sighs-Trapped-front.jpg|link=Sighs Trapped by Liars (album)|'''[[Sighs Trapped by Liars (album)|Sighs Trapped by Liars]]'''<br>2007
* Kangaroo?
File:Five-American-Portraits-front.jpg|link=Five American Portraits|'''[[Five American Portraits]]'''<br>2010
* An Old Man's Dream
</gallery>
* Black Snakes
* Victorine
* Baby and Child Care


=== 2000s ===
== History ==
 
=== 1966-1968: "Early" phase ===
1968: Art & Language was founded by Terry Atkinson, Michael Baldwin, Harold Hurrell, David Bainbridge (UK)


* Karaoke Bar
==== Works ====
* Sighs Trapped by Liars
David Bainbridge
* Five American Portraits


=== 2010s ===
* Crane (1966)


* Letters to the Jackson Pollock Bar in the Style of the Red Krayola
David Bainbridge and Terry Atkinson


== Art-Language journal ==
* Crane Assertions
Main article: [[Art-Language]]


== Pre-Art & Language ==
David Bainbridge and Harold Hurrell
These early pieces are often (retroactively) considered and displayed with works of Art & Language.
{| class="wikitable"
! Year
!Title
!Artist
!Materials
!Dimensions
!Link


|-
* Loop (1966)
| 1965
* Lecher System (1969)
|| Untitled Painting
* Ingot (1969)
|[[Michael Baldwin]]
|| Mirror mounted on canvas, two parts
|| 119.3 × 58.3 × 10.9 cm
||[https://www.art-language.org/page/d/116.htm A-L]


[https://en.wikipedia.org/wiki/Mirror_Piece Wikipedia]
Michael Baldwin


|-
* Mirror Piece (1965?)<ref>https://fr.wikipedia.org/wiki/Mirror_Piece</ref>
| 1965
* Abstract Art No. 2 (1968)
|| Untitled Painting
* Abstract Art, no. 6 (1967)
|[[Michael Baldwin]]
|| Mirrors mounted on canvas, two parts
|| 101.5 × 61 × 7.5 cm
||[https://www.art-language.org/page/d/123.htm A-L]


[https://en.wikipedia.org/wiki/Mirror_Piece Wikipedia]
Terry Atkinson and Michael Baldwin


|-
* Map to Not Include (1966)
| 1965
* Air Show (1966) 5pp.
|| Untitled Painting
** “A series of assertions concerning a theoretical usage of a column of air comprising a base of one square mile and of unspecified distance in the vertical dimension.”
|[[Michael Baldwin]]
** Air Show Dimensions (1966) 5pp.
||
** [The 'Declaration Device' associated with the Air Show...] (1967)
||
*Hot-Cold (November 1967)
**[Notes towards Hot-Cold and Notes towards French Army] (1967)
||[https://www.art-language.org/page/f/218.htm A-L]
* Air Conditioning Show (1967)
** Natural Science: Air-Conditioning Show (1966) 3pp.
** Study for the Air-Conditioning Show (1967)
* Time Show
** Notes on Time Show 1966-67 (1966-67)
** 'Time Show' Fragment (1967)


[https://en.wikipedia.org/wiki/Mirror_Piece Wikipedia]
* Frameworks (1966)
** Frameworks Appendices, no. 01 (1966-67) 3pp.
** Frameworks Study (1967) 11p.
** Frameworks Study A2 (1967) 5pp.
** Frameworks Study I β (1966-67) 5pp.
** Frameworks Exhibit II (1967) 4pp.


|-
* 22 Sentences: The French Army (1967) 20pp.
| 1965
* French Army (March 1968)
|| Untitled Paintings
** Notes towards French Army (1967)
|[[Michael Baldwin]]
* Declaration Series (1967)
|| 4 mirrors mounted on 4 canvas
* Oxfordshire Show (1966) 16pp.
|| 61 × 30 cm
||[https://www.art-language.org/page/f/246.htm A-L]


[https://en.wikipedia.org/wiki/Mirror_Piece Wikipedia]
Ian Burn


|-
* Mirror Piece (1967)
| 1965
|| Four Suprematist Squares
|
|| Installation of four 12 inch black squares painted on the wall
|| 30.5 × 167.6 cm
|| [https://www.art-language.org/page/f/207.htm A-L]


|-
Mel Ramsden
| 1965
|| Black Painting
|
|| Enamel on canvas
|| 8 × 244 cm
|| [https://www.art-language.org/page/d/132.htm A-L]


|-
* Guaranteed (1967)
| 1966
* Secret Painting (1967-68)
|| Painting I, No.2
** Four Studies for a Secret Painting (1967)
|
** Eleven Studies for a Secret Painting (1967)
|| Inkjet on paper mounted on wooden panel
** Secret Painting (Study) (1967)
** Study for a Secret Painting (1967)
|| 157 × 150 cm
* Six Negatives (1968)
 
|| [https://www.artsy.net/artwork/art-and-language-painting-i-no-2 Artsy]
Ian Burn and Mel Ramsden
 
* Notes on Analysis Book
 
Joseph Kosuth


|-
* Word and Object Series (1966)
| 1966
* Definition Series (1967)
|| Painting I, No.7
* Thesaurus Categories Series (1968)
|
* Matter in General (1968)
|| Inkjet on paper mounted on wooden panel
?<ref>file:///C:/Users/noahf/OneDrive/Desktop/DIG_A-HIS-01896_033_l.pdf</ref>
|| 77 × 150 cm
|| [https://www.artsy.net/artwork/art-and-language-painting-i-no-dot-7 Artsy]


|-
* Three Suprematist Squares (1965)
| 1966
* A Direct Usage of Words... (1967)
|| Painting I, No.8
|
|| Inkjet on paper mounted on wooden panel
|| 93 × 150 cm
|| [https://www.artsy.net/artwork/art-and-language-painting-i-no-8 Artsy]


|-
?<ref>https://fr.wikipedia.org/wiki/Art_and_Language</ref>
| 1966
 
|| Painting I, No.9
* Aim at Boredom, Kasimir? (1966) 5pp.
|
* Time Drawings (1965)
|| Inkjet on paper mounted on wooden panel
* Crane Notes (1965-66) 12pp.
* Text as Performance (1965-66)
|| 108 × 150 cm
* Fragments and Elements (1965)
* Acid Boxes (1966)
|| [https://www.artsy.net/artwork/art-and-language-painting-i-no-9 Artsy]
* Ontology (1967)
|-
* A Note on the Notion of a 368 Year Old Spectator (1967) 3pp.
|1966
* An Introduction to Precinct Publications (1968) 4pp.
|Entropy
* Models + Dictionaries (1968) 4pp.
|
* Sunnybank. (1967)
|
* Ontological Fragments (1969)
|
* Notes Referring to Machine Itself (1969-70) 8pp.
|
* Asteroid Action Seat (1963)
|-
* I. T. N.: Establish further Connectors. P. & T. (1965)
|1966-1967
* Fragments and Elements I (1965)
|Air Conditioning Show
* An Argument from Illusion (1966)
|[[Terry Atkinson]]
* Art Out of Sounds (1966)
* H (i) 2 (1966)
* [Language Truth and Logic] (1966)
* Malevich I (1966)
* Notes on Malevich (1966) 2pp.
* [Names] (1966)
* Note Typography for Text Book or Encyclopedia from 1965-66 (1966)
* Paintings I, no.1-20 (1966/2014)
* Performance as Text
** Performance as Text, Appendix, Notes (1966) 5pp.
 
* Proposition 1966 (1966)
* Robotic Sculpture (1966)
* Sculpture Notes I (1966)
* Sculpture Notes II (1966)
* Temperature Show (1966) 43pp.
** Temperature Show Photographs (1966)
** Temperature Print 1 (1967)
** Temperature Print 2 (1967)
** Temperature Print 3 (1967)
** Temperature Print 4 (1967)
** Temperature Print II (1967)


[[Michael Baldwin]]
* The Air-Conditioning as Device (1966)
|
* The Wildthink Album (1966) 8pp.
|
* Two Black Rectangles (The Paradoxes of Absolute Zero) (1966)
|[https://fr.wikipedia.org/wiki/Air-Conditioning_Show Wikipedia]
* Two Black Squares (The Paradoxes of the Absolute Zero) (1966)
|-
* Two Black Squares (The Paradoxes of the Absolute Zero) (1967)
| 1967
* [Putative Art Practice in Britain] (1966-67) 5pp.
|| Potato Print Model 1
* Acrostic Painting (1967)
|
* Art Object — Syntax (1967)
|| Lithography on paper
* Bibliography (1967)
* City of Coventry College of Art Diploma in Art and Design Fine Art (Sculpture) History of Art and Contemporary Studies (1967)
|| 52 × 67.5 cm
* Diploma in Art and Design — Fine Art (Sculpture) (1967)
* Facts (1967)
|| [https://www.artsy.net/artwork/art-and-language-potato-print-model-1-1 Artsy]
* Complete Bibliography of Articles on 'The Free Will Problem' (1967)
* Continuum of Process (1967)
* Identificatory Fragment (1967)
* Identificatory Fragment 1967 (1967)
* In Place of Painting (1967)
* Life? Show. Frameworks Study (1967) 7p.
* Map of Thirty-Six Square Mile Surface Area of the Pacific Ocean West of Oahu (1967)
* Map to Not Indicate
** Drawing for a Map to Not Indicate... (1967)
* Map of Itself (1967)
* Map of Scottish Lowlands to Include (1967)
* Notes Towards Various Mappings (1967)
* Notes: Harold Hurrell (1967)
* [Photographic documentation of Undeclared Glasses] (1967)
* Potato Print Model 1 (1967)
* Potato Print Model 2 (1967)
* Questions of Fact (1967)
* Readings of Readings of the Tractatus (1967)
* On the Concept of a Non Exhibition (1967) 6pp.
* Part of a Short Lesson (1967)
* Photo-Electric Switchgear (1967)
* Time and News 1967 (1967)
* Title Equals Text (1967)
* Map to Not Indicate... (1967 (1991))
* 100% Abstract (1967-68)
*


|-
==== Essays ====
| 1967
Michael Baldwin
|| Potato Print Model 1
 
|
* Remarks on Air-Conditioning: An Extravaganza of Blandness (November 1967, Arts Magazine)
|| Lithography on paper
** Reprinted in Conceptual Art: A Critical Anthology (ed. Alberro and Stimson)
 
|| 52 × 67.5 cm
==== Exhibitions ====
 
|| [https://www.artsy.net/artwork/art-and-language-potato-print-model-1 Artsy]
* 1967: Hardware Show (Architectural Association, London, UK)
* 1968: Dematerialisation Show (Ikon Gallery, UK)
* 1968: VAT 68 (The Herbert Art Gallery, UK)
 
=== 1969-1970: "Insular" phase ===
1969: Joined by Joseph Kosuth, Ian Burn, Mel Ramsden (NY)
 
Art-Language issues 1 - 3
 
* May 1969: ''[[Art-Language Vol. 1 No. 1]]''
* February 1970: ''[[Art-Language Vol. 1 No. 2]]''
* June 1970: ''[[Art-Language Vol. 1 No. 3]]''
 
==== Essays ====
Charles Harrison
 
* Against Precedents (September 1969, Studio International) [https://archive.studiointernational.com/SI1969/september/vol178-no914.html#p=90 Full article]
* On Exhibitions and the World at Large (December 1969, Studio International) [https://archive.studiointernational.com/SI1969/december/vol178-no917.html#p=202 Full article]
 
Terry Atkinson, David Bainbridge, Michael Baldwin, Harold Hurrell
 
* Status and Priority (January 1970, Studio International) [https://archive.studiointernational.com/SI1970/january/vol179-no918.html#p=28 Full article]
Joseph Kosuth
 
* Art After Philosophy (1969)
** Michel Claura, “Conceptual Misconceptions,” Studio International, 179:918 (January 1970), pp. 5–6
** Dore Ashton, “Kosuth: The Facts,” Studio International, 179:919 (February 1970), p. 44
** Joseph Kosuth, “Kosuth Replies to Claura,” Studio International, 179:919 (February 1970), p. 44
** Joseph Kosuth, “An Answer to Criticisms,” Studio International, 179:923 (June 1970), p. 245
** Barbara Reise, “Joseph Kosuth,” Studio International, 180:925 (September 1970), p. 71
 
Exhibitions
 
* 1969: Art & Language (Pinacotheca Gallery, Melbourne, AU)


|-
=== 1970-1971: "Transitional" phase ===
| 1967
1971: Joined by Charles Harrison, Philip Pilkington, David Rushton, Lynn Lemaster, Sandra Harrison, Graham Howard, Paul Wood (UK)
|| Map Not to Indicate
 
|
1971: Joined by Michael Corris (NY)
||
 
Pause in the group's publishing history(?)
||
 
Art Theory Course
||
 
|-
* Natural Reason [Notes for a seminar at Coventry] (1971) 6pp.
|1967
** "These are no more (and no less than notes made in preparation for a seminar at the art school in Coventry. The Art Theory course there was regarded by the authorities as an unwelcome experiment. The seminar itself was concerned with examining a political and social theory which had long been natural to art institutions of all shapes and sizes. The theory, grown in the philosophical tradition of Hobbes and Locke holds that all individuals are their own proprietors — that each person holds his or her own body and capacities as a kind of private property. The theory is, of course, fundamental to the development and continuation of capitalism. It is also fundamental to certain notions of personal autonomy, notions that were often among the unchallengeable motifs of artistic authorship and authenticity. These seminars and many others were, for a short time at least, regarded as the real substance of the artistic work of Art & Language."
|Studies for a Secret Painting
 
|
Analytical Art (Kevin Lole, Philip Pilkington, David Rushton)
|
 
|
* July 1971: ''[[Analytical Art No. 1]]''
|
?
|-
 
| 1967-1968
* Swift Reference Case (1971)
|| Secret Painting
 
|
=== 1972-1973: "Pluralistic" phase ===
||
 
* Index 01 (1972)
||
 
Art-Language
||
 
|-
* November 1971: ''[[Art-Language Vol. 1 No. 4]]''
|1967-1968
* February 1972: ''[[Art-Language Vol. 2 No. 1]]''
|Geology
* Summer 1972: ''[[Art-Language Vol. 2 No. 2]]''
|
* September 1973: ''[[Art-Language Vol. 2 No. 3]]''
|
 
|
Analytical Art (Kevin Lole, Philip Pilkington, David Rushton)
|
 
|-
* June 1972: ''[[Analytical Art No. 2]]''
|1967-1968
 
|Guaranteed Painting
=== 1973-1976 ===
|
?: Joined by Paula Ramsden, Mayo Thompson, Christine Koslov, Preston Heller, Andrew Menard, Kathryn Bigelow
|
 
|
1974: Terry Atkinson leaves
|
 
|-
Art & Language (UK) (Michael Baldwin, Philip Pilkington)
| 1968
 
|| 100% Abstract
* June 1974: ''[[Art-Language Vol. 2 No. 4]]''
|
* May 1975: ''[[Art-Language Vol. 3 No. 2]]''
||
 
Art & Language (New York) (Ian Burn, Mel Ramsden, and Terry Smith)
||
 
* September 1974: ''[[Art-Language Vol. 3 No. 1|Art-Language Vol. 3 No. 1: Draft for an Anti-Textbook]]''
||
* March 1975: ''[[The Fox No. 1|The Fox 1]]''
* Fall 1975: ''[[The Fox No. 2|The Fox 2]]''
* Michael Corris - Inside a New York Art Gang: Selected Documents of Art & Language, New York
** Document I, April 1975
** Document II, 1975
** Document III, 1975
** Document IV, December 1975: on picketing the Whitney
** Document V, 1975-76: questionnaire" for [[Red Faces|''Red Faces'']]
** Document VI, 1975
** Document VII, March 1976
** Document VIII, August 1976: red banner at La Biennale di Venezia
** Document IX, 1976
** Document X, 1976: ''Organization: A Working Paper''
 
September 1975: ''[[Art & Language 1966-1975]]''
 
(Provisional) Art & Language
 
* May 1976: ''[[The Fox No. 3|The Fox 3]]''
* June 1976: ''[[Corrected Slogans|Music Language: Corrected Slogans]]''
* June 1976: ''[[Art-Language Vol. 3 No. 3]]''
* October 1976: ''[[Art-Language Vol. 3 No. 4|Art-Language Vol. 3 No. 4: Fox 4]]''Early 1977
 
* Ian Burn, Terry Smith, Nigel Lendon moved to Australia
* Mel, Paula and Anne Ramsden, Mayo Thompson and Christine Kozlov moved to the UK


|}
==== Essays ====
Terry Smith


== Art & Language ==
* Art and Art & Language (February 1974, Artforum)
** Republished in ''One and Five Ideas'' (2017)


=== Exhibitions ===
Ian Burn
{| class="wikitable"
 
|+
* The Art Market: Affluence and Degradation (April 1975, Artforum) [https://www.artforum.com/print/197504/the-art-market-affluence-and-degradation-37325 Full article]
!Year
?
!Title
 
!
* Notes on Duchamp's ''Bottle Rack'' (c. 1975)
!Location
 
!Notes
=== 1977- ===
|-
Art-Language
|
 
|
* May 1977: ''[[Art-Language Vol. 4 No. 1]]''
|
* October 1977: ''[[Art-Language Vol. 4 No. 2]]''
|
* October 1978: ''[[Art-Language Vol. 4 No. 3|Art-Language Vol. 4 No. 3: Ways of Seeing]]''
|
* June 1980: ''[[Art-Language Vol. 4 No. 4]]''
|}
* October 1982: ''[[Art-Language Vol. 5 No. 1]]''
Essays
 
* “Remembering Conceptual Art,” delivered by Art & Language to the conference “Who’s Afraid of Conceptual Art” (19 March 1995, Institute of Contemporary Arts, London), pp. 9–10.
 
== Works/projects ==


=== Works ===
=== 1965-1968: Pre-Art & Language ===
{| class="wikitable"
! Year
!Title
!
!Materials
!Dimensions
!Link


|-
*
| 1968
|| M 1:2
|
|| Lithography on paper
|| 50.6 × 62.2 cm
|| [https://www.artsy.net/artwork/art-and-language-m-1-2 Artsy]


|-
=== 1969-1976: Art & Language group ===
| 1971-1972
 
|| Poster for Air-Conditioning Show
* {{RLink|A-L}}
|
* Art Theory Course
||
* Index 001
* Index 002 (Bxal)
||
* Index 003
* Shouting Men
||
* Dialectical Materialism
* {{RLink|Corrected}}
* {{RLink|Nine}}
* School
 
=== 1977-present: Art & Language duo ===
 
* Ten Postcards
* [[Ten Posters: Illustrations for Art-Language]]
* Ils donnent leur sang donnez votre travail
* Ten Illustrations for 'Radical Philosophy'
* {{RLink|Portraits}}
* Gustave Courbet’s ‘Burial at Ornans’
* [[Index: The Studio at 3 Wesley Place]]
* {{RLink|Victorine}}
* Study for Impressionism Returning Sometime in the Future
* Index: Incident in a Museum
* Unit Cure, Unit Ground
* {{RLink|Hostage}}


|-
=== 1990s ===
| 1972
|| Alternate Map for Documenta / Documenta Memorandum
|
|| Offset lithograph newsprint
|| 72.2 × 50.6 cm
|| [https://www.artsy.net/artwork/art-and-language-alternate-map-for-documenta-slash-documenta-memorandum Artsy]


|-
* Hello, How Are You?
| 1974
* {{RLink|Paints}}
|| Index 02 (Bxal): Indexical Fragments 6
* Exit (Now They Are)
|
* 3 Maps
||
* Portrait of an Artist
* Index: Wrongs Healed in Official Hope
||
* Lovely Slang
* Sighs Trapped by Liars
||


=== 2000s ===
* Down to the Stone
* Homes from Homes
* Thirty Studies for a Luhmann Memorial
* {{RLink|Karaoke}}
* No Secret Painting
* Portraits of John Wayne, Jimmy Carter, Ad Reinhardt and Wile E. Coyote
* Qui Pourra
* French Painting by Mouth
* Portraits and a Dream
=== 2010s ===
* [[Letters to the Jackson Pollock Bar]]
* {{RLink|Letters}}
* {{RLink|LettersRK}}
* Nobody Spoke
* Sea Ghost
* Now They Are
* Not That it is Needed Now
* Lovely Hostage
* Nobody Spoke Again
* Flags for Organisations II
* A Bad Place
* [[10 Posters]]
* A Shadow on the Tongue
=== 2020s ===
* Flag
== Bibliography ==
=== Works ===
{| class="wikitable"
!
!Year
!
!Title
!pg.
!Publisher
!Notes
|-
|{{flagdeco|UK}}
|1967
|
|''Frameworks - Art Conditioning''
|20
|Art & Language Press
|Edition of 200
|-
|-
| 1975
|{{flagdeco|UK}}
|| Shouting Men
|1967
|
||
||
|| [https://www.artsy.net/artwork/art-and-language-shouting-men-detail Artsy]
|-
|1975
|Dialectical Materialism (Dark Green)
|
|
|''Hot-Cold''
|99
|Art & Language Press
|Edition of 200
|-
|
|
|1967
|
|
|''Declaration Propositions''
|42
|
|
|Edition of 50
|-
|-
|1973-1976
|{{flagdeco|CH}}
|Music-Language: [[Corrected Slogans]]
|1967
|(P) A&L
|Vinyl record
|
|
|''Notes on Time Show 1966-67''
|16
|Edition Bischoffberger
|
|
|-
|-
|1976
|{{flagdeco|CH}}
|Music-Language: [[Nine Gross and Conspicuous Errors]]
|1967
|(P) A&L
|
|Video. 23min
|Notes typography for textbook or encyclopaedia from 1965 -1966
|64
|Edition Bischoffberger
|Edition of 200
|-
|{{flagdeco|CH}}
|1968
|
|
|''Geology 1967-68''
|8
|Edition Bischoffberger
|Edition of 200
|-
|{{flagdeco|UK}}
|1968
|
|
|''22 Sentences: The French Army''
|48
|Art & Language Press
|Edition of 200
|-
|-
| 1977
|{{flagdeco|US}}
|| Ten Postcards
|1969
|
|
|| Lithograph on paper
|''Six Negatives''
|
|| 20.3 × 76.5 cm
|The Society for Theoretical Art
|
|| [https://www.tate.org.uk/art/artworks/art-language-ten-postcards-p08005 Tate]
 
|-
|-
| 1977
|{{flagdeco|CH}}
|| Ten Posters: Illustrations for Art-Language
|1969
|
|
||
|''Introduction to Discourse''
|15
||
|Edition Bischoffberger
|
||
 
|-
|-
| 1977
|{{flagdeco|UK}}
|| Study for 'Ils donnent leur sang donnez votre travail'
|1970
|
|
|| Gouache and pencil on paper
|''Statements January 1970''
|44
|| 53.4 × 106.5 cm
|Analytical art
|Edition of 100
|| [https://www.artsy.net/artwork/art-and-language-study-for-ils-donnent-leur-sang-donnez-votre-travail Artsy]
 
|}
 
== Art & Language as a duo ==
[[Michael Baldwin]] and [[Mel Ramsden]]
 
=== Solo exhibitions ===
{| class="wikitable"
!Start date
!End date
!
!
!Title
!Gallery
!Notes
|-
|-
|1991
|{{flagdeco|US}}
|1971
|
|''Theories of Ethics''
|
|
|{{flagdeco|IT}}
|New York Cultural Center
|Rome
|Edition of 200
|Hostages
|-
|The British School at Rome
|{{flagdeco|UK}}
|1971
|
|
|-
|''Authorship''
|1991
|13
|
|
|{{flagdeco|FR}}
|Paris
|Hostages
|Galerie de Paris
|
|
|-
|-
|1991
|
|{{flagdeco|UK}}
|{{flagdeco|UK}}
|Bristol
|1971
|Hostage Paintings 1987–1991
|Arnolfini Gallery
|
|
|''Olivet Discourse''
|44
|Art-Language Press
|Edition of 40
|-
|-
|1991
|{{flagdeco|US}}
|1971
|
|
|{{flagdeco|UK}}
|''First edition limited, one hundred copies; subscription (per annum)''
|Southampton
|97
|Hostage Paintings 1987–1991
|John Hansard Gallery
|
|
|Edition of 100
|-
|-
|1991
|{{flagdeco|US}}
|1971
|
|
|{{flagdeco|UK}}
|''Handbook to 'Ingot'''
|London
|42
|Hostage Paintings 1987–1991
|New York Cultural Center
|Institute of Contemporary Arts
|
|
|-
|-
|1991
|{{flagdeco|US}}
 
{{flagdeco|CA}}
|1973
|
|''Blurting in A & L''
|
|
|{{flagdeco|UK}}
|Art & Language Press
|London
The Mezzanine
|Hostage Paintings: The Dark Series
|Lisson Gallery
|
|
|-
|-
|1992
|{{flagdeco|UK}}
|1973
|
|''A 001 transcription - 21.5.73''
|48
|
|
|{{flagdeco|AT}}
|Vienna
|Early Work 1965–1976; Recent Work 1991–1994
|Galerie Grita Insam
|
|
|-
|-
|1992
|{{flagdeco|UK}}
|1974
|
|
|{{flagdeco|BE}}
|''Threshold Agreement''
|Brussels
|36
|Early Work 1965–1976; Recent Work 1991–1994
|Oriel Gallery
|Galerie Isy Brachot
|
|
|}
=== Essay collections ===
Main article: [[Art-Language]]
{| class="wikitable"
!
!Year
!
!Title
!pg.
!Publisher
!Notes
|-
|{{flagdeco|DE}}
|1972
|[[File:A-L-Texte-zum-Phanomen-front.jpg|center|frameless|50x50px]]
|[[Art & Language: Texte zum Phänomen Kunst und Sprache|''Art & Language: Texte zum Phänomen Kunst und Sprache'']] (1966-72)
|347
|Verlag Dumont-Schauberg
|German/English
|-
|-
|1993
|
|{{flagdeco|FR}}
|{{flagdeco|FR}}
|Paris
|1978
|Early Work 1965–1976; Recent Work 1991–1994
|[[File:AL-1975-1978-front.jpg|center|frameless|49x49px]]
|Galerie nationale du Jeu de Paume
|[[Art & Language 1975-78|''Art & Language'']] (1975-78)
|
|257
|Eric Fabre, Paris
|French/English
|-
|{{flagdeco|NL}}
|1980
|[[File:A-L-catalog-1980-Van-Abbemuseum-front.jpg|center|frameless|50x50px]]
|''[[Art & Language (Van Abbemuseum, 1980)|Art & Language]]'' (1967-80)
|414
|Van Abbemuseum, Eindhoven
|English/Dutch<ref name=":2" />
|-
|-
|1994
|
|{{flagdeco|ES}}
|Madrid
|Early Work 1965–1976; Recent Work 1991–1994
|Galería Juana de Aizpuru
|
|-
|1994
|
|{{flagdeco|UK}}
|{{flagdeco|UK}}
|London
|2005
|Early Work 1965–1976; Recent Work 1991–1994
|[[File:AL-Writings-2005-front.jpg|center|frameless|51x51px]]
|''[[Art & Language: Writings]]'' (1980-2002)
|299
|Lisson Gallery
|Lisson Gallery
|
|English
|-
|{{flagdeco|US}}
|2007
|[[File:AL-Albert-Joan-Sinbad.jpg|center|frameless|50x50px]]
|''[[Albert, Joan and Sinbad]]''
|84
|White Wine Press
|English/Spanish
|}
 
=== Charles Harrison on Art & Language ===
{| class="wikitable"
!Year
!
!Title
!pp.
!Notes
|-
|1982
|[[File:AL-Provisional-History-front.jpg|center|frameless|41x41px]]
|[[A Provisional History of Art & Language|''A Provisional History of Art & Language'']] (with Fred Orton)
|89
|<ref>https://unoriginalsins.co.uk/product/a-provisional-history-of-art-language-charles-harrisons-own-copy/</ref>
|-
|-
|1995
|1991
|
|[[File:Essays-on-AL-front.jpg|center|frameless|55x55px]]
|{{flagdeco|AT}}
|[[Essays on Art & Language|''Essays on Art & Language'']]
|Vienna
|302
|Art & Language and Luhmann
|<ref>https://archive.org/details/essaysonartlangu0000harr</ref>
|Kunstraum
|
|-
|-
|1996
|2001
|
|
|{{flagdeco|FR}}
|[[Conceptual Art and Painting: Further Essays on Art & Language|''Conceptual Art and Painting: Further Essays on Art & Language'']]
|Paris
|234
|Sighs Trapped by Liars
|<ref>https://archive.org/details/conceptualartpai0000char/</ref>
|Galerie de Paris
|}
 
=== Exhibition catalogs ===
{| class="wikitable"
!
!Year
!
!Title
!pg.
!Publisher
!Notes
|-
|{{flagdeco|CH}}
|1969
|
|
|''Art & Language: Catalogue Raisonné. November 1965 - February 1969''
|38
|Galerie Bischofberger, Zurich
|<ref>https://web.archive.org/web/20010512095317/http://members.tripod.de/ThomasDreher/3_Konzeptkunst_Art_Lang.html</ref>
|-
|{{flagdeco|CH}}
|1974
|[[File:AL-catalog-1974-Luzern-front.jpg|center|frameless|49x49px]]
|''Art & Language''
|42
|Kunstmuseum, Luzern
|German/English<ref>https://www.printedmatter.org/catalog/tables/13/12925</ref><ref>https://specificobject.com/objects/info.cfm?inventory_id=5933&object_id=5871</ref>
|-
|-
|1996
|{{flagdeco|UK}}
|1975
|[[File:AL-1966-1975-front.png|center|frameless|50x50px]]
|''[[Art & Language 1966-1975]]''
|51
|Museum of Modern Art, Oxford
|
|
|{{flagdeco|ES}}
|-
|Seville
|Conceptual Art from 1966 to 1996
|Galería Juana de Aizpuru
|
|
|1975
|[[File:AL-Australia-1975-front.png|center|frameless|56x56px]]
|''Art & Language: Australia 1975''
|229
|National Gallery of Victoria
|<ref>https://espace.library.uq.edu.au/view/UQ:379140</ref>
|-
|{{flagdeco|NL}}
|1980
|[[File:A-L-catalog-1980-Van-Abbemuseum-front.jpg|center|frameless|50x50px]]
|''[[Art & Language (Van Abbemuseum, 1980)|Art & Language]]''
|414
|Van Abbemuseum, Eindhoven
|English/Dutch<ref name=":2">https://specificobject.com/objects/info.cfm?object_id=15741</ref>
|-
|-
|1996
|{{flagdeco|FR}}
|1981
|
|''Portrait de V.I. Lenine''
|
|
|{{flagdeco|CH}}
|Editions Eric Fabre, Paris
|St Gallen
|Conceptual Art from 1966 to 1996
|Kunsthalle St Gallen
|
|
|-
|-
|1997
|{{flagdeco|NL}}
|
|1982
|{{flagdeco|BE}}
|Knokke
|Conceptual Art from 1966 to 1996
|Mulier Mulier Gallery
|
|
|''Art & Language: Index: Studio at 3 Wesley Place Painted by Mouth''
|24
|De Vleeshal, Middelburg
|English/Dutch
|-
|-
|1998
|{{flagdeco|FR}}
|1982
|
|
|{{flagdeco|UK}}
|''Art & Language''
|London
|Sighs Trapped by Liars
|Galerie Poo Poo
|
|
|Musée d'Arte Moderne, Toulon
|French/English
|-
|-
|1998
|{{flagdeco|UK}}
|1983
|[[File:A-L-catalog-1983-Ikon-front.jpg|center|frameless|50x50px]]
|''Art & Language''
|
|
|{{flagdeco|BE}}
|Ikon Gallery, Birmingham
|Knokke
|Sighs Trapped by Liars
|Mulier Mulier Gallery
|
|
|-
|-
|1999
|{{flagdeco|US}}
|1983
|[[File:A-L-catalog-1983-ICA-front.jpg|center|frameless|50x50px]]
|''Art & Language''
|48
|Los Angeles Institute of Contemporary Arts
|
|
|{{flagdeco|DE}}
|-
|Karlsruhe
|{{flagdeco|UK}}
|Art & Language & Luhmann Nr. 2
|1986
|Zentrum für Kunst und Medientechnologie
|
|
|-
|''Art & Language: Confessions: Incidents in a Museum''
|1999
|
|
|{{flagdeco|AT}}
|Lisson Gallery, London
|Vienna
|Three Essays
|Galerie Grita Insam
|
|
|-
|-
|1999
|{{flagdeco|UK}}
|1987
|
|''Art & Language: The Paintings''
|
|
|
|{{flagdeco|USA}}
|New York City
|The Artist Out of Work: Art & Language 1972–1981
|P.S.1 Contemporary Art Center
|
|
|-
|-
|1999
|{{flagdeco|UK}}
|1988
|
|
|{{flagdeco|ES}}
|''Art & Language: Hostages''
|Madrid
|Cinco Ensayos
|Galería Juana de Aizpuru
|
|
|Lisson Gallery, London
|''[[Hostage]]''
|-
|-
|1999
|
|
|{{flagdeco|ES}}
|1991
|Barcelona
|[[File:A-L-catalog-1991-Hostages-XXV-LXXVI.jpg|center|frameless|50x50px]]
|Art & Language in Practice
|''Hostages XXIV - XXXV''
|Fundació Antoni Tàpies
|
|
|
|''[[Hostage]]''
|-
|-
|2001
|
|{{flagdeco|BE}}
|{{flagdeco|BE}}
|Knokke
|1992
|15 Essays
|[[File:AL-catalog-1992-Now-They-Are-front.png|center|frameless|46x46px]]
|Mulier Mulier Gallery
|''Art & Language: Now They Are''
|<ref name=":0" />
|104
|Isy Brachot Gallery, Brussels
|French/English
|-
|{{flagdeco|FR}}
|1993
|[[File:A-L-catalog-1993-Galerie-Nationale-front.jpg|center|frameless|50x50px]]
|''Art & Language''
|162
|Galerie Nationale Du Jeu De Paume, Paris
|French/English
|-
|-
|2002
|{{flagdeco|DE}}
|1997
|
|
|{{flagdeco|UK}}
|''[[Art & Language & Luhmann]]''
|London
|232
|Mother, Father, Monday
|Passagen Kunst
|Lisson Gallery
|German/English
|<ref name=":0" />
|-
|{{flagdeco|ES}}
|1999
|[[File:AL-in-Practice-Vol-1-front.jpg|center|frameless|50x50px]]
|''[[Art & Language in Practice Vol. 1]]''
|299
|Fundació Antoni Tapiès, Barcelona
|
|-
|{{flagdeco|ES}}
|1999
|[[File:AL-in-Practice-Vol-2-front.jpg|center|frameless|50x50px]]
|''[[Art & Language in Practice Vol. 2]]''
|276
|Fundació Antoni Tapiès, Barcelona
|Catalan/English
|-
|-
|{{flagdeco|FR}}
|2002
|2002
|[[File:A-L-catalog-2002-Too-Dark-to-Read-front.jpg|center|frameless|47x47px]]
|''[[Art & Language: Too Dark to Read: Motifs Rétrospectifs 2002-1965]]''
|276
|Musée d'art moderne Lille Métropole, Villeneuve-d'Ascq
|French/English
|-
|{{flagdeco|ES}}
|2004
|
|
|{{flagdeco|FR}}
|''Art & Language''
|Villeneuve-d’ascq
|123
|Too Dark to Read: Motifs Rétrospectifs
|CAC Málaga
|Lille Métropole Musée d’art modern d’art contemporain et d’art brut
|Spanish
|<ref name=":0" />
|-
|-
|2003
|{{flagdeco|CH}}
|2006
|
|
|{{flagdeco|UK}}
|''Homes for Homes II''
|London
|272
|What Work Does the Artwork Do?
|Migros Museum für Gegenwartskunst, Zurich
|London Metropolitan University
|English/German
|<ref name=":0" />
|-
|-
|2003
|{{flagdeco|NL}}
|2008
|
|''A&L''
|245
|Mulier Mulier
|
|-
|
|2008
|
|''Art & Language: Brouillages / Blurrings. Dessins/Works on paper 1965-2008''
|
|Galerie Thaddaeus Ropac
|
|
|{{flagdeco|CH}}
|Zürich
|Now They Are Surrounded
|Migros Museum
|<ref name=":0" />
|-
|-
|2004
|
|
|{{flagdeco|ES}}
|2011
|Malaga
|
|Now They Are Surrounded
|''Art & Language: Badges''
|Centro de Arte Contemporáneo
|
|<ref name=":0" />
|
|
|-
|-
|2004
|{{flagdeco|NL}}
|2013
|
|
|{{flagdeco|BE}}
|''Art & Language: Portraits of President Barack Obama in the Style of Jackson Pollock''
|Knokke
|88
|Now They Are Surrounded
|Mulier Mulier
|Mulier Mulier Gallery
|Dutch/English
|<ref name=":0" />
|-
|-
|2004
|{{flagdeco|ES}}
|2014
|[[File:AL-Uncompleted-Philippe-Meaille-Collection-front.jpg|center|frameless|48x48px]]
|''[[Art & Language Uncompleted: The Philippe Méaille Collection]]''
|264
|MACBA
|
|
|PT
|Lisbon
|Now They Are Surrounded
|Galeria Filomena Soares
|<ref name=":0" />
|-
|-
|2005
|{{flagdeco|ES}}
|2014
|
|''<nowiki/>'Landscape with St George Delivered at Night'''
|46
|MACBA
|<ref>https://www.macba.cat/en/learn-explore/publications/landscape-st-george-delivered-night</ref>
|-
|
|2014
|
|''Nobody Spoke''
|
|
|
|{{flagdeco|AT}}
|Vienna
|Now They Are Surrounded
|Galerie Grita Insam
|<ref name=":0" />
|-
|2005
|
|
|{{flagdeco|UK}}
|London
|Now They Are Surrounded
|Guildhall Art Gallery
|<ref name=":0" />
|-
|-
|2005
|{{flagdeco|CH}}
|
|2015
|{{flagdeco|DE}}
|[[File:AL-catalog-2015-Made-in-Zurich-front.jpg|center|frameless|43x43px]]
|Karlsruhe
|''Art and Language: Made in Zurich – Selected Editions 1965-1972''
|Now They Are Surrounded
|109
|Zentrum für Kunst und Medientechnologie
|Editions Bernard Jordan
|<ref name=":0" />
|English/German/French
|-
|-
|2005
|{{flagdeco|NL}}
|2016
|
|''A&L: Not That It Is Needed Now''
|
|Mulier Mulier
|
|
|{{flagdeco|UK}}
|London
|Hard to Say When
|Lisson Gallery
|<ref name=":0" />
|-
|-
|2006
|
|{{flagdeco|FR}}
|{{flagdeco|FR}}
|Tiercé
|2016
|Il ne reste qu’à chanter
|[[File:A-L-Entretien-avec-Victorine-Meurend-front.jpg|center|frameless|50x50px]]
|Château de la Bainerie
|''[[Art & Language: Interview with Victorine Meurend|Art & Language: entretien avec Victorine Meurend]]''
|<ref name=":0" />
|30
|Château de Montsoreau-Musée d’art contemporain
|French/English<ref>https://www.chateau-montsoreau.com/wordpress/portfolio-item/art-language-entretien-avec-victorine-meurend/</ref>
|-
|-
|2006
|
|{{flagdeco|FR}}
|{{flagdeco|FR}}
|Nantes
|2018
|Il ne reste qu’à chanter
|[[File:A-L-book-Reality-Dark-Fragments-Light-front.jpg|center|frameless|50x50px]]
|Galerie de l’Erban
|''[[Reality (Dark) Fragments (Light)]]''
|<ref name=":0" />
|176
|Château de Montsoreau-Musée d’art contemporain
|French/English<ref>https://www.chateau-montsoreau.com/wordpress/portfolio-item/art-language-reality-dark-fragments-light-2/</ref><ref>https://www.lespressesdureel.com/ouvrage.php?id=6911&menu=</ref>
|}
 
=== On Art & Language ===
{| class="wikitable"
!Year
!Type
!Author
!Title
!pp.
!Notes
|-
|1976
|thesis
|David Brian Mitchell
|''The Art & Language Group: 1966 to 1973''
|138
|<ref>https://open.library.ubc.ca/media/download/pdf/831/1.0107092/1</ref>
|-
|-
|2007
|1992
|thesis
|William Wood
|''We are a Cell Aren't We?: Art & Language and the Documenta Index''
|
|<ref>https://open.library.ubc.ca/soa/cIRcle/collections/ubctheses/831/items/1.0086655</ref>
|-
|2010
|book
|Nika Radić
|''Art und Language und die konzeptuelle Kunst''
|176
|
|
|{{flagdeco|UK}}
|London
|Now They Are Surrounded: Reconfigured
|London Metropolitan University
|<ref name=":0" />
|-
|-
|2007
|2011
|thesis
|Miguel Carneiro Nogueira Ferrão
|''A Conversa e o Relato Enquanto Possibilidades do Comum, a Partir De We Aim to Be Amateurs (Art & Language, 1997)''
|
|
|
|{{flagdeco|ES}}
|Madrid
|Works 1965–1978, 2007–2008
|Distrito Cu4tro, Galeria de Arte
|<ref name=":0" />
|-
|-
|2008
|2012
|thesis
|Robert Bailey
|''Art & Language and the Politics of Art Worlds, 1969-1977''
|
|
|{{flagdeco|BE}}
|<ref>http://d-scholarship.pitt.edu/11494/1/ETD_Template_Robert__Bailey.pdf</ref>
|Knokke
|-
|Works 1965–1978, 2007–2008
|2012
|Mulier Mulier Gallery
|thesis
|<ref name=":0" />
|Raoul Noortmann
|''Art-Language: A Reaction to the Dematerialization of Art''
|73
|<ref>https://studenttheses.uu.nl/bitstream/handle/20.500.12932/10181/Thesis_Raoul_Noortmann.pdf</ref>
|-
|2012
|book
|Christian Matthiessen
|''OTMA & LUNL (On Tour mit Art & Language und Niklas Luhmann): Ein Theorie Roman in the Style of the Jackson Pollock Bar''
|160
|<ref>https://www.macba.cat/en/aprendre-investigar/arxiu/tour-mit-art-language-und-niklas-luhmann-ein-theorie-roman-style-jackson</ref><ref>https://www.kulturverlag-kadmos.de/programm/details/otma-lunl</ref>
|-
|-
|2008
|2016
|book
|Robert Bailey
|''Art & Language International: Conceptual Art Between Art Worlds''
|
|
|{{flagdeco|FR}}
|Paris
|Brouillages/Blurrings: Works on Paper
|Galerie Thaddaeus Ropac
|<ref name=":0" />
|-
|2009
|
|
|{{flagdeco|AT}}
|Salzburg
|Works on Paper
|Galerie Thaddaeus Ropac
|<ref name=":0" />
|-
|-
|2009
|2016
|thesis
|Mark Dennis
|''Strategic Anomalies: Art & Language in the Art School 1969-1979''
|
|
|{{flagdeco|ES}}
|<ref>https://pureportal.coventry.ac.uk/en/studentTheses/strategic-anomalies-art-language-in-the-art-school-1969-1979</ref>
|Madrid
|Recent Works
|Espacio Distrito Cu4tro
|<ref name=":0" />
|-
|-
|2009
|2018
|thesis
|Louisa Lee
|''Discursive Sites: Text-Based Conceptual Art Practice in Britain''
|
|
|{{flagdeco|FI}}
|<ref>https://etheses.whiterose.ac.uk/23145/1/LOUISA%20LEE%20PHD%20FINAL%20MARCH%204%202019.pdf</ref>
|Espoo
|}
|Portraits and a Dream
 
|Espoo Museum of Modern Art
=== Articles ===
|<ref name=":0" />
{| class="wikitable"
!
!Year
!
!Title
!Publication
!Notes
|-
|-
|2010
|
|
|{{flagdeco|USA}}
|November 1967
|Chicago
|Portraits and a Dream
|Rhona Hoffman Gallery
|<ref name=":0">https://lisson-art.s3.amazonaws.com/uploads/attachment/file/body/21103/Art_Language_CV.pdf</ref>
|-
|
|
|2010-02-27
|Remarks on Art-Conditioning
|Arts Magazine
|
|-
|{{flagdeco|UK}}
|{{flagdeco|UK}}
|London
|September 1969
|Portraits and a Dream
|[[Charles Harrison]]
|Lisson Gallery
|Against Precedents
|<ref name=":1">https://lisson-art.s3.amazonaws.com/uploads/attachment/file/body/15812/Art_Language_Press_Pack.pdf</ref>
|Studio International
|[https://archive.studiointernational.com/SI1969/september/vol178-no914.html#p=90 Full article]
|-
|-
|2011
|{{flagdeco|UK}}
|
|December 1969
|{{flagdeco|BE}}
|[[Charles Harrison]]
|Knokke
|On Exhibitions and the World at Large
|Badges
|Studio International
|Mulier Mulier Gallery
|[https://archive.studiointernational.com/SI1969/december/vol178-no917.html#p=202 Full article]
|<ref name=":0" />
|-
|-
|2011
|
|{{flagdeco|UK}}
|{{flagdeco|UK}}
|Canterbury
|January 1970
|Portraits and a Dream
|Terry Atkinson
|University of Kent
 
|<ref name=":0" />
[[Michael Baldwin]]
 
David Bainbridge
 
Harold Hurrell
|Status and Priority
|Studio International
|[https://archive.studiointernational.com/SI1970/january/vol179-no918.html#p=28 Full article]
|-
|-
|2011
|{{flagdeco|UK}}
|
|February 1970
|{{flagdeco|AT}}
|[[Charles Harrison]]
|Vienna
|Notes towards Art Work
|Official Squares Again
|Studio International
|Galerie Grita Insam
|[https://archive.studiointernational.com/SI1970/february/vol179-no919.html#p=42 Full article]
|<ref name=":0" />
|-
|-
|2012
|{{flagdeco|UK}}
|
|July-August 1970
|{{flagdeco|CH}}
|Terry Atkinson
|Zürich
 
|The Hut Project Painting with Art & Language
David Bainbridge
|Migros Museum für Gegenwartskunst
 
|<ref name=":0" />
[[Michael Baldwin]]
 
Harold Hurrell
|Lecher System
|Studio International
|[https://archive.studiointernational.com/SI1970/july-august/vol180-no924.html#p=26 Full article]
|-
|{{flagdeco|UK}}
|November 1970
|[[Charles Harrison]]
|A Very Abstract Context
|Studio International
|[https://archive.studiointernational.com/SI1970/november/vol180-no927.html#p=194 Full article]
|-
|-
|2013
|
|{{flagdeco|UK}}
|{{flagdeco|UK}}
|Leeds
|May 1971
|The Hut Project Painting with Art & Language
|[[Charles Harrison]]
|blip blip blip
|Virgin Soils and Old Land (Introduction to 'The British Avant-Garde'
|<ref name=":0" />
|Studio International
|[https://archive.studiointernational.com/SI1971/may/vol181-no933.html#p=201 Full article]
|-
|-
|2013
|{{flagdeco|UK}}
|
|May 1971
|{{flagdeco|DE}}
|Terry Atkinson
|Düsseldorf
 
|Letters to the Red Krayola
[[Michael Baldwin]]
|Galerie Kadel Willborn
|De Legibus Naturae
|<ref name=":0" />
|Studio International
|[https://archive.studiointernational.com/SI1971/may/vol181-no933.html#p=226 Full article]
|-
|-
|2013
|{{flagdeco|UK}}
|
|October 1971
|{{flagdeco|BE}}
|Ian Burn
|Deurle
 
|Letters to the Red Krayola
[[Mel Ramsden]]
|Museum Dhondt-Dhaenens
|A Question of Epistemic Adequacy
|<ref name=":0" />
|Studio International
|[https://archive.studiointernational.com/SI1971/october/vol183-no937.html#p=132 Full article]
|-
|{{flagdeco|UK}}
|October 1971
|Philip Pilkington
 
Kevin Lole
 
David Rushton
 
[[Charles Harrison]]
|Some Concerns in Fine Art Education
|Studio International
|[https://archive.studiointernational.com/SI1971/october/vol183-no937.html#p=120 Full article]
|-
|{{flagdeco|UK}}
|November 1971
|Linda Morris
 
Digby Jacks
 
[[Charles Harrison]]
|Some Concerns in Fine Art Education II
|Studio International
|[https://archive.studiointernational.com/SI1971/november/vol182-no938.html#p=168 Full article]
|-
|-
|2013
|{{flagdeco|UK}}
|
|April 1972
|{{flagdeco|BE}}
|Terry Atkinson
|Brussels
 
|Letters to the Red Krayola
[[Michael Baldwin]]
|Garage Cosmos
|Some Post-War American Work and Art & Language: Ideological Responsiveness
|<ref name=":0" />
|Studio International
|[https://archive.studiointernational.com/SI1972/april/vol183-no943.html#p=164 Full article]
|-
|-
|2014
|{{flagdeco|UK}}
|
|May 1972
|{{flagdeco|CH}}
|[[Charles Harrison]]
|Zürich
|Educating Artists
|Made in Zurich: Art & Language Editions 1966–71
|Studio International
|Bernard Jordan Gallery
|[https://archive.studiointernational.com/SI1972/may/vol183-no944.html#p=222 Full article]
|<ref name=":0" />
|-
|-
|2014
|{{flagdeco|UK}}
|June 1972
|[[Charles Harrison]]
|Art & Language Press
|Studio International
|[https://archive.studiointernational.com/SI1972/june/vol183-no945.html#p=234 Full article]
|-
|{{flagdeco|UK}}
|June 1972
|
|Forget the Paintings
|Studio International
|
|
|{{flagdeco|ES}}
|Barcelona
|Uncompleted
|Museu d'Art Contemporani de Barcelona
|<ref name=":0" />
|-
|-
|2014-11-14
|2015-01-17
|{{flagdeco|UK}}
|{{flagdeco|UK}}
|London
|November 1972
|Nobody Spoke
|Harold Hurrell
|Lisson Gallery
|Art and Terminology
|<ref name=":1" /><ref name=":0" />
|Studio International
|[https://archive.studiointernational.com/SI1972/november/vol184-no949.html#p=160 Full article]
|-
|-
|2016
|{{flagdeco|DE}}
|1972
|
|Selected essays by Art & Language
|über Kunst
|
|
|{{flagdeco|BE}}
|Knokke
|Not that is is needed now
|Mulier Mulier Gallery
|<ref name=":0" />
|-
|-
|2017
|{{flagdeco|UK}}
|January 1973
|Kevin Lole
 
Philip Pilkington
 
David Rushton
|Possible Models for Propositional Attitudes
|Studio International
|[https://archive.studiointernational.com/SI1973/january/vol185-no951.html#p=29 Full article]
|-
|
|
|{{flagdeco|DE}}
|1973
|Düsseldorf
|
|Nobody Spoke
|Proceedings
|Kadel Willborn
|Audio Arts, no.1
|<ref name=":0" />
|audio
|-
|-
|2017
|{{flagdeco|US}}
|September 1973
|
|
|{{flagdeco|DE}}
|Letter to Artforum
|Berlin
|Artforum
|Nobody Spoke
|[https://www.artforum.com/print/197307/letters-70105 Full article]
|Kunstsaele
|<ref name=":0" />
|-
|-
|2017-09-16
|{{flagdeco|BE}}
|2018-02-24
|1973
|{{flagdeco|FR}}
|
|Tours
|Art and its Cultural Context
|Ten Posters: Illustrations for Art & Language
|Deurle 11/7/'73
|Centre de Création contemporaine Olivier Debré
|
|<ref>https://www.cccod.fr/wp-content/uploads/2017/08/dp-al-cccod-en-06122017.pdf</ref>
|-
|-
|2019
|{{flagdeco|UK}}
|June 1973
|
|The Problem of Context
|Frameworks Journal
|
|
|-
|{{flagdeco|DE}}
|{{flagdeco|DE}}
|Berlin
|1973
|Devinera qui pourra (Figure it out who can)
|
|Galerie Michael Janssen
|Artworks and Explications
|<ref name=":0" />
|Joseph Kosuth: Investigations über Kunst und Problemkreise
|
|-
|{{flagdeco|US}}
|February 1974
|Terry Smith
|Art and Art and Language
|Artforum
|[https://www.artforum.com/print/197402/art-and-art-and-language-37381 Full article]
|-
|-
|2021
|{{flagdeco|DE}}
|October 1974
|
|Dialectical Materialism
|Extra, no. 2
|
|
|{{flagdeco|UK}}
|Cambridge
|Now They Are
|Jesus College
|<ref name=":0" />
|-
|-
|2022-03-03
|2022-04-16
|{{flagdeco|USA}}
|NYC
|Hostage
|Lisson Gallery
|<ref>https://www.galleriesnow.net/shows/art-language/</ref>
|}
=== Works ===
{| class="wikitable"
! Year
!Title
!Materials
!Dimensions
!Link
|-
| 1978
|| The Key of Dreams
|| Acrylic on paper
|| 140 × 100 cm
|| [https://www.art-language.org/page/f/225.htm A-L]
|-
|1978
|Ten Illustrations for 'Radical Philosophy'
|
|
|February-March 1977
|
|
|Us, Us and Away
|Data
|
|
|-
|-
| 1980
|{{flagdeco|UK}}
|| Portrait of V.I. Lenin with Cap, in the Style of Jackson Pollock III
|1977
||  
|
|Nous ne donnons pas notre Travail
|| 242.4 × 213.4 cm
|Newcastle Writings
|
|| [https://www.tate.org.uk/art/artworks/art-language-portrait-of-v-i-lenin-with-cap-in-the-style-of-jackson-pollock-iii-t12406 Tate]
 
|-
|-
| 1980
|
|| Portrait of V.I. Lenin in the Style of Jackson Pollock V
|November 1977
|| Enamel on canvas
|
|British Painting '52-'77
|| 239 × 210 cm
|Art Monthly
|
|| [https://www.artsy.net/artwork/art-and-language-portrait-of-vi-lenin-in-the-style-of-jackson-pollock-v Artsy]
 
|-
|-
| 1980
|{{flagdeco|DE}}
|| Portrait of V.I. Lenin in the Style of Jackson Pollock VII
|1977
|| Enamel on canvas mounted on board
|
|
|| 105 × 100 cm
|What do you Expect: A Question put to Seven Politically Orientated Artists
|
|| [https://www.artsy.net/artwork/art-and-language-portrait-of-vi-lenin-in-the-style-of-jackson-pollock-vii Artsy]
 
|-
|-
| 1980
|
|| Portrait of V.I Lenin in the Style of Jackson Pollock VIII
|October 1978
|| Ink on paper
|
|Art for Society?
||
|Art Monthly
|
|| [https://www.artsy.net/artwork/art-and-language-portrait-of-vi-lenin-in-the-style-of-jackson-pollock-viii Artsy]
 
|-
|-
| 1980
|
|| Portrait of V.I Lenin by V. Charangovitch (1970) in the style of Jackson Pollock III
|May 1979
|| Enamel paint on canvas mounted on wooden panel
|
|Artists and Philosophers (reply to Willis Domingo)
|| 105 × 100 cm
|Art Monthly
|
|| [https://www.phillips.com/detail/art-language/UK010311/175 Philips]
 
|-
|-
| 1981
|{{flagdeco|US}}
|| Gustave Courbet’s ‘Burial at Ornans’; Expressing a Sensuous Affection .../Expressing a Vibrant Erotic Vision .../Expressing States of Mind that are Vivid and Compelling
|February 1980
|| Black ink, wash, gouache and wax crayon on cartridge paper, mounted on synthetic fabric
|
|Portrait of V. I. Lenin in the Style of Jackson Pollock
|| 324 × 699 × 5 cm
|Artforum
|[https://www.artforum.com/print/198002/art-language-38929 Full article]
|| [https://www.tate.org.uk/art/artworks/art-language-gustave-courbets-burial-at-ornans-expressing-a-sensuous-affection-expressing-t03453 Tate]
 
|-
|-
| 1981-1982
|{{flagdeco|UK}}
|| Index: The Studio at 3 Wesley Place
|1980
|| Photograph, pencil, pen and ink, watercolour, black washes and collage on paper mounted on sandwich of paper and plastic foam
|
|The Ratification of Abstract Art
|| 76.2 × 162.3 cm
|Towards a New Art: essays on the background to abstract painting 1910-20
|
|| [https://www.tate.org.uk/art/artworks/art-language-index-the-studio-at-3-wesley-place-t03804 Tate]
|-
 
|
|1980
|[[Charles Harrison]]
|Modern Art and the Concept of Risk
|U201: Risk
|
|-
|-
| 1982
|
|| Index: The Studio at 3 Wesley Place, Executed by Mouth (II)
|1980
|| Pencil and carbon paper tracings on paper mounted on sandwich of paper and plastic foam
|
|Joseph Stalin Gazing Enigmatically at the Body of V. I. Lenin as it Lies in Statue in Moscow in the Style of Jackson Pollock
|| 97.5 × 210 cm
|File, vol. 4, no. 4
|
|| [https://www.tate.org.uk/art/artworks/art-language-index-the-studio-at-3-wesley-place-executed-by-mouth-ii-t03802 Tate]
 
|-
|-
| 1982
|
|| Index: The Studio at 3 Wesley Place, in the Dark (IV), and Illuminated by an Explosion nearby (VI)
|September 1981
|| Photograph, pencil, watercolour and acrylic on tracing paper mounted on paper mounted on sandwich of paper and plastic foam
|
|Manet's Olympia and Contradiction
|| 78.4 × 162.7 cm
|Block 5
|
|| [https://www.tate.org.uk/art/artworks/art-language-index-the-studio-at-3-wesley-place-in-the-dark-iv-and-illuminated-by-an-t03801 Tate]
 
|-
|-
| 1982
|
|| Index: The Studio at 3 Wesley Place (VI), Illuminated by an Explosion nearby
|1981
|| Photograph mounted on sandwich of paper and plastic foam
|
|Art History, Art Criticism and Explaination
|| 106.7 × 160.3 cm
|Art History, vol. 4, no. 4
 
|| [https://www.tate.org.uk/art/artworks/art-language-index-the-studio-at-3-wesley-place-vi-illuminated-by-an-explosion-nearby-t03803 Tate]
Reprinted in ''[https://archive.org/details/pollockaftercrit0000unse_q9f5 Pollock and After: The Critical Debate]'' (1985, ed. Francis Frascina)


Reprinted in ''[https://archive.org/details/arthistoryitsmet00fern/ Art History and Its Methods: A Critical Anthology]'' (1995, ed. Eric Femie)
|
|-
|-
| 1982
|{{flagdeco|US}}
|| Index: The Studio at 3 Wesley Place, in the Dark (VI), Showing the Position of ‘Embarrassments’ in (IV)
|Summer 1982
|| Photograph, black ink, wax crayon and metallic pencil on sandwich of paper and plastic foam
|
|Kangaroo? (Some songs by Art & Language and The Red Crayola)
|| 79.7 × 168 cm
|Art Journal
|
|| [https://www.tate.org.uk/art/artworks/art-language-index-the-studio-at-3-wesley-place-in-the-dark-vi-showing-the-position-of-t03800 Tate]
 
|-
|-
| 1984
|
|| Study for Impressionism Returning Sometime in the Future
|December 1982
|| Pencil and acrylic on paper
|
|| 107 × 168 cm
|Painting by Mouth
|Artery (National Forum for College Art)
|| [https://www.art-language.org/page/f/222.htm A-L]
|
 
|-
|-
| 1983
|{{flagdeco|BE}}
|| Study for Impressionism Returning Sometime in the Future III
|March 1983
|| Pencil and acrylic on paper
|
|[[Art & Language Paints a Picture]]
|| 99.1 × 139.7 cm
|Gewad Informatief
|
|| [https://www.artsy.net/artwork/art-and-language-study-for-impressionism-returning-sometime-in-the-future-iii Artsy]
 
|-
|-
| 1985-1986
|{{flagdeco|US}}
|| Index: Incident in a Museum II
|September 1983
|| Oil and acrylic painting on canvas
|
|A Cultural Drama: The Artist's Studio [seminar transcript]
|| 174 × 271 cm
|Art & Language [exhibition catalog]
|
||
 
|-
|-
| 1985
|{{flagdeco|UK}}
|| Index: Incident in a Museum III
|April 1985
|| Alogram and oil on canvas on plywood
|
|Julian Opie's Sculptures
|| 174 × 271 cm
|Julian Opie [exhibition catalog]
|
||
 
|-
|-
| 1985
|
|| Index: Incident in a Museum IV
|July-August 1985
|| Alogram and oil on canvas
|
|Francis Bacon
|| 174 × 271 cm
|Artscribe, no. 53
|
||
 
|-
|-
| 1985
|
|| Index: Incident in a Museum V
|June-July 1985
|| Alogram and oil on canvas
|
|T. Setch [review]
|| 174 × 271 cm
|Artscribe
|
||
 
|-
|-
| 1986
|
|| Index: Incident in a Museum VI
|June-July 1985
|| Oil on canvas on plywood
|
|K. Vaughn [review]
|| 174 × 271 cm
|Artscribe
|
||
 
|-
|-
| 1986
|
|| Index: Incident in a Museum VII
|June-July 1985
|| Alogram and oil on canvas
|
|Ronald Alley Hangs a Picture
|| 174 × 271 cm
|Artscribe
|
||  
|-
|
|November 1986
|
|Andy Warhol [review]
|Artscribe, no. 60
|
|}
 
== Pre-Art & Language ==
These early pieces are often (retroactively) considered and displayed with works of Art & Language.
{| class="wikitable"
! Year
!Title
!Artist
!Materials
!Dimensions
!Link


|-
|-
| 1986
| 1965
  || Index: Incident in a Museum VIII
  || Untitled Painting
  || Alogram and oil on canvas
  |[[Michael Baldwin]]
|| Mirror mounted on canvas, two parts
|| 119.3 × 58.3 × 10.9 cm
   
   
|| 174 × 271 cm
||[https://www.art-language.org/page/d/116.htm A-L]
 
||
[https://en.wikipedia.org/wiki/Mirror_Piece Wikipedia]


|-
|-
| 1986
| 1965
  || Index: Incident in a Museum IX
  || Untitled Painting
  || Alogram and oil on canvas
  |[[Michael Baldwin]]
|| Mirrors mounted on canvas, two parts
|| 101.5 × 61 × 7.5 cm
   
   
|| 174 × 271 cm
||[https://www.art-language.org/page/d/123.htm A-L]
 
||
[https://en.wikipedia.org/wiki/Mirror_Piece Wikipedia]


|-
|-
| 1986
| 1965
  || Index: Incident in a Museum X
  || Untitled Painting
  || Alogram and oil on canvas
|[[Michael Baldwin]]
||
  ||
   
   
|| 174 × 271 cm
||[https://www.art-language.org/page/f/218.htm A-L]
 
||
[https://en.wikipedia.org/wiki/Mirror_Piece Wikipedia]


|-
|-
| 1986
| 1965
  || Index: Incident in a Museum XI
  || Untitled Paintings
  || Alogram and oil on canvas
  |[[Michael Baldwin]]
|| 4 mirrors mounted on 4 canvas
|| 61 × 30 cm
   
   
|| 174 × 271 cm
||[https://www.art-language.org/page/f/246.htm A-L]
 
||
[https://en.wikipedia.org/wiki/Mirror_Piece Wikipedia]


|-
|-
| 1986
| 1965
  || Index: Incident in a Museum XII
  || Four Suprematist Squares
  || Alogram and oil on canvas
  |
|| Installation of four 12 inch black squares painted on the wall
|| 30.5 × 167.6 cm
   
   
|| 243 × 379 cm
|| [https://www.art-language.org/page/f/207.htm A-L]
||


|-
|-
| 1986
| 1965
  || Index: Incident in a Museum XIII
  || Black Painting
  || Alogram and oil on canvas on plywood
  |
|| Enamel on canvas
|| 8 × 244 cm
   
   
|| 174 × 271 cm
|| [https://www.art-language.org/page/d/132.htm A-L]
||


|-
|-
| 1986
| 1966
  || Index: Incident in a Museum (Madison Avenue) XIV
  || Painting I, No.2
  || Alogram and oil on canvas on plywood
  |
|| Inkjet on paper mounted on wooden panel
   
   
|| 174 × 271 cm
|| 157 × 150 cm
   
   
||  
|| [https://www.artsy.net/artwork/art-and-language-painting-i-no-2 Artsy]


|-
|-
| 1986
| 1966
  || Index: Incident in a Museum XV
  || Painting I, No.7
  || Alogram and oil on canvas
  |
|| Inkjet on paper mounted on wooden panel
   
   
|| 243 × 379 cm
|| 77 × 150 cm
   
   
||  
|| [https://www.artsy.net/artwork/art-and-language-painting-i-no-dot-7 Artsy]


|-
|-
| 1986
| 1966
  || Index: Incident in a Museum XVI
  || Painting I, No.8
  || Alogram and oil on canvas on plywood
  |
|| Inkjet on paper mounted on wooden panel
   
   
|| 243 × 379 cm
|| 93 × 150 cm
   
   
||  
|| [https://www.artsy.net/artwork/art-and-language-painting-i-no-8 Artsy]


|-
|-
| 1987
| 1966
  || Index: Incident in a Museum XVII
  || Painting I, No.9
  || Alogram and oil on canvas
  |
|| Inkjet on paper mounted on wooden panel
   
   
|| 271 × 379 cm
|| 108 × 150 cm
   
   
||  
|| [https://www.artsy.net/artwork/art-and-language-painting-i-no-9 Artsy]
 
|-
|1966
|Entropy
|
|
|
|
|-
|-
| 1987
|1966-1967
|| Index: Incident in a Museum XVIII
|Air Conditioning Show
|| Oil on canvas
|[[Terry Atkinson]]
|| 174 × 271 cm
||


[[Michael Baldwin]]
|
|
|[https://fr.wikipedia.org/wiki/Air-Conditioning_Show Wikipedia]
|-
|-
| 1987
| 1967
  || Index: Incident in a Museum XIX
  || Potato Print Model 1
  || Alogram and oil on canvas on plywood
  |
|| Lithography on paper
   
   
|| 174 × 271 cm
|| 52 × 67.5 cm
   
   
|| [https://www.tate.org.uk/art/artworks/art-language-index-incident-in-a-museum-xix-t13894 Tate]
|| [https://www.artsy.net/artwork/art-and-language-potato-print-model-1-1 Artsy]


|-
|-
| 1987
| 1967
  || Index: Incident in a Museum XX
  || Potato Print Model 1
  || Alogram and oil on canvas
  |
|| Lithography on paper
   
   
|| 174 × 271 cm
|| 52 × 67.5 cm
   
   
||  
|| [https://www.artsy.net/artwork/art-and-language-potato-print-model-1 Artsy]


|-
|-
| 1987
| 1967
  || Index: Incident in a Museum XXI
  || Map Not to Indicate
  || Photography and oil on canvas on plywood
  |
||
   
   
|| 234 × 379 cm
||
   
   
||  
||
 
|-
|-
| 1986
|1967
|| Index: Incident in a Museum XXII (The decade, 2003 -2013)
|Studies for a Secret Painting
|| Alogram and oil on canvas on plywood
|
|
||  
|
|
||
 
|-
|-
| 1987
| 1967-1968
  || Index: Incident in a Museum XXV
  || Secret Painting
  ||  
  |
||
   
   
|| 174 × 271 cm
||
   
   
||  
||
 
|-
|-
| 1987
|1967-1968
|| Unit Cure, Unit Ground X
|Geology
|| Acrylic on paper
|
|
|| 101.3 × 137 cm
|
|
|| [https://www.artsy.net/artwork/art-and-language-unit-cure-unit-ground-x Artsy]
 
|-
|-
| 1989
|1967-1968
|| Hostage XIII (3)
|Guaranteed Painting
|| Oil on canvas
|
|| 147 × 152.3 cm
|| [https://www.artsy.net/artwork/art-and-language-hostage-xiii-3 Artsy]
|-
|1990
|Surf 76
|
|
|
|
|
|
|-
|-
| 1990
| 1968
  || Hostage LXXIII
  || 100% Abstract
  || Glass, oil on canvas on wood
  |
||
   
   
|| 214 × 142.5 cm
||
   
   
|| Artsy
||


|-
|}
| 1990
|| Study for Hostage 48
|| Acrylic, ink and pencil on paper
|| 127 × 88.9 cm
|| Artsy


|-
== Art & Language ==
| 1990
|| Study for Hostage 60
|| Acrylic, ink and pencil on paper
|| 130 × 90 cm
|| Artsy


|-
=== Journal ===
| 1990
Main article: [[Art-Language]]
|| Hostage LX
|| Oil on canvas on wood with glass
|| 214 × 142.5
|| Lisson Gallery
 
|-
| 1990
|| Study for Hostage 65
|| Acrylic, ink and pencil on paper
|| 127.5 × 88 cm
|| Artsy


=== Exhibitions ===
{| class="wikitable"
!Start date
!End date
!
!
!Title
!
!Gallery
!Notes
|-
|-
| 1991
|1967
|| Study for Hostage 79
|
|| Acrylic, ink and pencil on paper
|{{flagdeco|UK}}
|London
|| 130 × 90 cm
|Hardware Show
|
|| Artsy
|Architectural Association
 
|
|-
|-
| 1991
|1968
|| Hostage LXXIX
|
|| Glass, oil on canvas on wood
|{{flagdeco|UK}}
|London
|| 214 × 142.5
|Dematerialisation Show
|
|| Lisson Gallery
|Ikon Gallery
|
|-
|-
|1992
|1968
|Hello, How Are You?
|
|
|{{flagdeco|UK}}
|Coventry
|VAT 68
|
|
|The Herbert Art Gallery
|
|
|-
|-
| 1992
|1969
|| [[Art Language Paints a Picture|Art &amp; Language Paints a Picture]]
|
|| text
|AU
|Melbourne
||
|Art & Language
|
||
|Pinacotheca Gallery
 
|
|-
|-
| 1992
|1971
|| Exit (Now They Are) 2
|
|| Oil pastel on tracing paper and paper
|{{flagdeco|USA}}
|New York
|| 136 × 100.5 cm
|The Air-Conditioning Show
|
|| Phillips
|Visual Arts Gallery
 
|
|-
|-
| 1992
|1971
|| 3 Maps
|
|| Set of 3 boxed jigsaws
|{{flagdeco|NL}}
|Paris
|| 5 × 24.5 × 32.5 cm
|Art & Language
|
|| Artsy
|Galerie Daniel Templon
|
|-
|-
|1995
|1971
|Portrait of an Artist
|
|
|{{flagdeco|IT}}
|Turin
|Art & Language
|
|
|Galleria Sperone
|
|
|-
|-
| 1995
|1971
|| Study for Background, Incident, Foreground II
|
|| Acrylic on paper
|{{flagdeco|USA}}
|New York
|| 128 × 92 cm
|Tape Show: Exhibition of Lectures
|
|| Phillips
|Dain Gallery
|
|-
|-
|1998-1999
|1971
|Index: Wrongs Healed in Official Hope
|
|
|{{flagdeco|IT}}
|Milan
|Questionnaire
|
|
|Galleria Daniel Templon
|
|
|-
|-
| 1999
|1972
|| Lovely Slang V
|
|| Glass over oil and mixed media on canvas laid on wood
|{{flagdeco|NL}}
|Paris
|| 59.5 × 42.5 cm
|The Art & Language Institute
|
|| Phillips
|Galerie Daniel Templon
 
|
|-
|-
| 1999
|1972
|| Art &amp; Language Paints a Picture: A Picture Painted by Actors
|
|| Graphite and acrylic paint on canvas and alogram on canvas over plywood and mixed media
|{{flagdeco|DE}}
|Köln
||
|Documenta Memorandum
|
|| Tate
|Galerie Paul Maenz
 
|
|-
|  
|| There were sighs trapped by liars (XXIV)
|| Acrylic on color photograph
|| 87 × 119 cm
|| Artsy
|-
|-
|2000
|1972
|Down to the Stone
|
|
|{{flagdeco|NL}}
|Paris
|Analytical Art
|
|
|Galerie Daniel Templon
|
|
|-
|-
|2001
|1973
|Framed unit No. # of Index (Landscape with St. George)
|
|
|{{flagdeco|USA}}
|New York
|Index 002 Bxal
|
|
|John Weber Gallery
|
|
|-
|-
| 2002
|1973
|| Homes from Homes, Virus I
|
|| Oil and enamel on canvas and mixed media
|{{flagdeco|DE}}
|Köln
|| 98 × 175 cm
|Art & Language
|
|| Lisson Gallery
|Galerie Paul Maenz
 
|
|-
|-
| 2004
|1973
|| Thirty Studies for a Luhmann Memorial
|
|| 30 works: collage, gouache on paper, passe-partout
|{{flagdeco|UK}}
|London
|| 30 × 26 cm
|Art & Language
|
|| Phillips
|Lisson Gallery
 
|
|-
|-
| 2004
|1973
|| Lovely Slang XXI
|
|| Glass over oil and mixed media on canvas on wood
|{{flagdeco|NL}}
|Paris
|| 82.9 × 70 cm
|Annotations
|
|| Lisson Gallery
|Galerie Daniel Templon
 
|
|-
|-
| 2004
|1974
|| Lovely Slang XXII
|
|| Glass over oil and mixed media on canvas on wood
|{{flagdeco|IT}}
|Turin
|| 69 × 60.8 cm
|Art & Language
|
|| Lisson Gallery
|Galleria Sperone
 
|
|-
|-
| 2004
|1974
|| Lovely Slang XXVIII
|
|| Glass over oil and mixed media on canvas on wood
|{{flagdeco|CH}}
|Zürich
|| 72 × 65 cm
|Art & Language
|
|| Artsy
|Galerie Bischofberger
 
|
|-
|-
| 2005
|1974
|| Karaoke
|
|| Video, projection, colour and sound (stereo), 10 screenprints on paper and 13 ringbound booklets
|{{flagdeco|IT}}
|Florence
|| 41 min. 10 sec
|Art & Language
|
|| Tate
|Galleria Schema
 
|
|-
|-
| 2007
|1974
|| No Secret Painting XI
|
|| Painting and text
|{{flagdeco|UK}}
|London
||  
|Art & Language
|
|| Lisson Gallery
|Lisson Gallery
 
|
|-
|-
| 2007
|1974
|| Portraits of John Wayne, Jimmy Carter, Ad Reinhardt and Wile E. Coyote
|
|| Acrylic, crayon and mixed media, 4 parts
|{{flagdeco|BE}}
|Brussels
|| 90.3 × 39.7 × 38.5 cm
|Art & Language
|
|| Artsy
|Galerie MTL
 
|
|-
|-
| 2007
|1974
|| Studies and Conversations: Qui Pourra
|
|| Collage and mixed media on photograph
|RS
|Belgrade
|| 45 × 80 cm
|Art & Language
|
|| Artsy
|Studentski Kulturni Centar
 
|
|-
|-
| 2008
|1975
|| Qui Pourra
|
|| HD Video
|AU
|Sydney
|| 15 min. 36 sec.
|Art & Language New York ↔ Australia
|
|| Lisson Gallery
|Art Gallery of New South Wales
 
|
|-
|-
| 2009
|1975
|| French Painting by Mouth
|
|| Lasertran, acrylic and mixed media with 144 pages of text bound in four volumes
|AU
|Melbourne
|| 88 × 76 × 70 cm
|Art & Language New York ↔ Australia
|
|| Artsy
|National Gallery of Victoria
 
|
|-
|-
| 2009
|1975
|| The Impression of Liars' Voices
|
|| Acrylic on canvas and mixed media, framed picture
|PO
||  
|Warsaw
|Art & Language
|| Lisson Gallery
|
Phillips
|Foksal Gallery
|
|-
|-
| 2009
|1975
|| The Background of a Hostage Incident
|
|| Acrylic on canvas and mixed media
|{{flagdeco|IT}}
|Florence
|| 89.6 × 42.3 × 35 cm
|Dialectical Materialism
|
|| Artsy
|Galleria Schema
 
|
|-
|-
| 2009
|1975
|| An Interview with Mayo Thompson
|
|| Acrylics on canvas and mixed media
|{{flagdeco|NL}}
|Paris
|| 101.3 × 47.5 cm
|Art & Language
|
|| Artsy
|Galerie Ghislain Mollet-Viéville
 
|
|-
|1975
|
|{{flagdeco|BE}}
|Brussels
|Art & Language
|
|Galerie MTL
|
|-
|-
| 2009
|1975
|| Now They Are Again No Secret
|
|| Acrylic on canvas and mixed media, framed picture
|NZ
|Auckland
||  
|Piggy-Cur-Perfect
|
|| Lisson Gallery
|Auckland City Art Gallery
 
|
|-
|-
| 2009
|1976
|| Who Can Return?
|
|| Acrylic on canvas, photograph and mixed media
|{{flagdeco|USA}}
|New York
|| 98 × 48.5 × 36 cm
|Music-Language
|
|| Artsy
|John Weber Gallery
 
|
|-
|1976
|
|{{flagdeco|NL}}
|Paris
|Music-Language
|
|Galerie Eric Fabre
|
|-
|-
| 2009
|1976
|| Portraits and a Dream
|
|| 144 pages of 32 lines of text each printed on grey A3 paper plus one blank page, arranged in a grid and pasted onto one wall, 144 sets of 'paperchains' consisting of 16 links, suspended in rows on cables stretched between two walls
|{{flagdeco|UK}}
|Oxford
||  
|Art & Language
|
|| Lisson Gallery
|Modern Art Oxford
 
|
|-
|-
| 2009
|1977
|| Portrait of Vladimir Putin in the Style of Jackson Pollock
|
|| Oil and enamel on canvas; pencil on paper
|{{flagdeco|UK}}
|London
||  
|10 Posters: Illustrations for Art-Language
|
|| Lisson Gallery
|Robert Self Gallery
 
|
|-
|-
| 2009-2010
|1978
|| Five American Background Songs
|
|| Acrylic on canvas and mixed media, plexiglas top
|{{flagdeco|BE}}
|Ghent
|| 105.2 × 58.5 × 41 cm
|Flags for Organisations
|
|| Artsy
|Cultureel Informatief Centrum
 
|
|-
|-
| 2011
|1978
|| Portrait and a Dream VII (1981)
|
|| Ink and crayon on paper and mixed media
|{{flagdeco|UK}}
|London
||  
|Flags for Organisations
|
|| Lisson Gallery
|Lisson Gallery
|
|-
|1979
|
|{{flagdeco|NL}}
|Paris
|Ils donnent leur sang ; donnez votre travail
|
|Galerie Eric Fabre
|
|}
 
=== Works ===
{| class="wikitable"
! Year
!Title
!
!Materials
!Dimensions
!Link


|-
|-
| 2011
| 1968
  || Portrait and a Dream IX (1966)
  || M 1:2
  || Ink and acrylic on paper and mixed media
  |
|| Lithography on paper
   
   
||  
|| 50.6 × 62.2 cm
   
   
|| Lisson Gallery
|| [https://www.artsy.net/artwork/art-and-language-m-1-2 Artsy]


|-
|-
| 2011
| 1971-1972
  || Portrait and a Dream XI (1968)
  || Poster for Air-Conditioning Show
  || Ink on photostat and mixed media, 2 parts
  |
||
   
   
||  
||
   
   
|| Artsy
||


|-
|-
| 2012
| 1972
  || Art &amp; Language Paints a Picture (The performance of the Actors of the Jackson Pollock Bar); Art &amp; Language Paints a Picture (Directions for the Actors)
  || Alternate Map for Documenta / Documenta Memorandum
  || Oil on canvas trimmed in chains, mixed media, framed
  |
|| Offset lithograph newsprint
   
   
|| 200 × 350 cm
|| 72.2 × 50.6 cm
   
   
|| Artsy
|| [https://www.artsy.net/artwork/art-and-language-alternate-map-for-documenta-slash-documenta-memorandum Artsy]


|-
|-
| 2012
| 1974
  || Letters to The Red Crayola I (1968)
  || Index 02 (Bxal): Indexical Fragments 6
  || Ink, acrylic, collage and mixed media on paper
  |
||
   
   
|| 35 × 75.6 cm
||
   
   
|| Artsy
||


|-
|-
| 2012
| 1975
  || Letters to The Red Crayola II (1972)
  || Shouting Men
  || Ink, acrylic, collage and mixed media on paper
  |
||
   
   
|| 41.4 × 61.2 cm
||
   
   
|| Artsy
|| [https://www.artsy.net/artwork/art-and-language-shouting-men-detail Artsy]
 
|-
|-
| 2012
|1975
|| Letters to The Red Crayola III (1990)
|Dialectical Materialism (Dark Green)
|| Ink, acrylic, collage and mixed media on paper
|
|
|| 41.4 × 41.4 cm
|
|
|| Artsy
 
|-
|-
| 2012
|1973-1976
|| Letters to The Red Crayola IV (1976)
|Music-Language: [[Corrected Slogans]]
|| Ink, acrylic, collage and mixed media on paper
|(P) A&L
|Vinyl record
|| 41.4 × 41.4 cm
|
|
|| Artsy
 
|-
|-
| 2012
|1976
|| Letters to The Red Crayola V (2000)
|Music-Language: [[Nine Gross and Conspicuous Errors]]
  || Ink, acrylic, collage and mixed media on paper
|(P) A&L
|Video, 26min
|
|
|-
| 1977
  || Ten Postcards
|
|| Lithograph on paper
   
   
|| 79.2 × 83.5 cm
|| 20.3 × 76.5 cm
   
   
|| Artsy
|| [https://www.tate.org.uk/art/artworks/art-language-ten-postcards-p08005 Tate]


|-
|-
| 2012
| 1977
  || Letters to The Red Crayola VI (1997)
  || Ten Posters: Illustrations for Art-Language
  || Ink, acrylic, collage and mixed media on paper
  |
||
   
   
|| 42.5 × 62.7 cm
||
   
   
|| Artsy
||


|-
|-
| 2012
| 1977
  || Letters to The Red Crayola VII (1973)
  || Study for 'Ils donnent leur sang donnez votre travail'
  || Ink, acrylic, collage and mixed media on paper
  |
|| Gouache and pencil on paper
   
   
|| 51.8 × 71 cm
|| 53.4 × 106.5 cm
   
   
|| Artsy
|| [https://www.artsy.net/artwork/art-and-language-study-for-ils-donnent-leur-sang-donnez-votre-travail Artsy]


|-
|}
| 2012
|| Letters to The Red Crayola VIII (1973)
|| Ink, acrylic, collage and mixed media on paper
|| 51.8 × 71 cm
|| Artsy


|-
== Art & Language as a duo ==
| 2012
[[Michael Baldwin]] and [[Mel Ramsden]]
|| Letters to The Red Crayola IX (2009)
|| Ink, acrylic, collage and mixed media on paper
||
|| Artsy


=== Solo exhibitions ===
{| class="wikitable"
!Start date
!End date
!
!
!Title
!Gallery
!Notes
|-
|-
| 2012
|1980
|| Letters to The Red Crayola X
|
|| Ink, acrylic, collage and mixed media on paper
|{{flagdeco|UK}}
|Leeds
|| 73.4 × 75.2 cm
|Portraits of V.I. Lenin in the Style of Jackson Pollock
|University Gallery
|| Artsy
|
 
|-
|1980
|
|{{flagdeco|UK}}
|London
|Portraits of V.I. Lenin in the Style of Jackson Pollock
|Lisson Gallery
|
|-
|-
| 2012
|1980
|| Letters to The Red Crayola XI (1982)
|
|| Ink, acrylic, collage and mixed media on paper
|{{flagdeco|NL}}
|Eindhoven
|| 52.3 × 102.8 cm
|Portraits of V.I. Lenin in the Style of Jackson Pollock
|Van Abbemuseum
|| Artsy
|
 
|-
|-
| 2012
|1981
|| Letters to The Red Crayola XII
|
||  
|{{flagdeco|BE}}
|Antwerp
||  
|Portraits of V.I. Lenin in the Style of Jackson Pollock
|Jan Sack
|| Artsy
|
 
|-
|-
| 2012
|1981
|| Letters to The Red Crayola XIII (1968)
|
|| Ink, acrylic, collage and mixed media on paper
|{{flagdeco|CH}}
|Geneva
|| 71.2 × 71.4 cm
|Portraits of V.I. Lenin in the Style of Jackson Pollock
|Centre d’Art Contemporain
|| Artsy
|<ref name=":0" />
 
|-
|-
| 2012
|1981
|| Letters to The Red Crayola XIV (1976)
|
|| Ink, acrylic, collage and mixed media on paper
|{{flagdeco|FR}}
|Paris
|| 78.4 × 64.3 cm
|Gustave Courbet’s “Burial at Ornans” Expressing...
|Galerie Eric Fabre
|| Artsy
|<ref name=":0" />
|-
|-
|2012-2013
|1982
|Drawings from the Winter
|
|
|{{flagdeco|FR}}
|Toulon
|Index: Studio at 3 Wesley Place Painted by Mouth
|Musée d’Art de Toulon
|<ref name=":0" />
|-
|1982
|
|
|{{flagdeco|NL}}
|Middelburg
|Index: Studio at 3 Wesley Place Painted by Mouth
|De Vleeshal
|<ref name=":0" />
|-
|1983
|
|
|{{flagdeco|USA}}
|Los Angeles
|Index: Studio at 3 Wesley Place (Illuminated by an Explosion nearby), VII, VIII
|Los Angeles Institute of Contemporary Art
|<ref name=":0" />
|-
|-
| 2013
|1983
|| Part of an American Portrait
|
|| Perforated offset print
|{{flagdeco|UK}}
|London
|| 19.1 × 19.1 cm
|Index: Studio at 3 Wesley Place (Illuminated by an Explosion nearby), VII, VIII
|Lisson Gallery
|| Artsy
|<ref name=":0" />
 
|-
|-
| 2013
|1983
|| Portraits and a Dream III
|
|| Paper and canvas
|{{flagdeco|AT}}
|Vienna
||  
|Index: Studio at 3 Wesley Place (Illuminated by an Explosion nearby), VII, VIII
|Galerie Grita Insam
|| Artsy
|<ref name=":0" />
 
|-
|-
| 2013
|1983
|| Portrait of President Barack Obama in the Style of Jackson Pollock
|
||  
|{{flagdeco|UK}}
|Birmingham
||  
|Index: Studio at 3 Wesley Place
|Ikon Gallery
|| Phillips
|<ref name=":0" />
 
|-
|-
| 2013-2014
|1983
|| Nobody Spoke
|
|| Installation comprising 17 'chairs', alogram on canvas over plywood with acrylic and mixed media
|{{flagdeco|BE}}
|Ghent
||
|Index: Studio at 3 Wesley Place I, II, III, IV
|Gewad
|| Lisson Gallery
|<ref name=":0" />
 
|-
|-
| 2014
|1985
|| Sea Ghost III
|
|| Acrylic with ink and mixed media on canvas
|{{flagdeco|UK}}
|London
|| 176 × 149.5 cm
|Studies for the Studio at 3 Wesley Place
|Tate Gallery
|| Artsy
|<ref name=":0" />
 
|-
|-
| 2014
|1986
|| Sea Ghost IV
|
|| Acrylic with ink and mixed media on canvas
|{{flagdeco|FR}}
|Paris
|| 176 × 149.5 cm
|Index: An Incident in a Museum
|Galerie de Paris
|| Artsy
|<ref name=":0" />
 
|-
|-
| 2014
|1986
|| Sea Ghost V
|
|| Acrylic with ink and mixed media on canvas
|{{flagdeco|UK}}
|London
|| 176 × 149.5 × 4 cm
|Confessions: Incidents in a Museum
|Lisson Gallery
|| Lisson Gallery
|<ref name=":0" />
 
|-
|1987
|
|{{flagdeco|USA}}
|New York
|The Paintings
|Marian Goodman Gallery
|<ref name=":0" />
|-
|-
| 2014
|1987
|| Tell Me, Have You Ever Seen Me? II, Xi Jinping
|
|| Printed text on paper, ink, pencil and mixed media on paper, vitrine
|{{flagdeco|BE}}
|Brussels
|| 120 × 50 × 50 cm
|The Paintings
|Palais des Beaux-Arts
|| Lisson Gallery
|<ref name=":0" />
 
|-
|-
| 2015
|1987
|| Now They Are I
|
|| 144 parts, ink and paint on paper
|{{flagdeco|UK}}
|London
|| 42 × 29.7 cm
|Index: Incidents in a Museum
|Lisson Gallery
|| Artsy
|<ref name=":0" />
 
|-
|1988
|
|{{flagdeco|UK}}
|London
|Hostages
|Lisson Gallery
|<ref name=":0" />
|-
|-
| 2015
|1989
|| Not That it is Needed Now (Oak) VIII
|
|| Oil on paper mounted on aluminum
|{{flagdeco|FR}}
|Paris
|| 34 × 34 cm
|Early Works 1966–1974
|Galerie Sylvana Lorenz
|| Lisson Gallery
|<ref name=":0" />
 
|-
|-
| 2015
|1989
|| Not That it is Needed Now (Archive) XX
|
|| Oil and mixed medium on canvas
|{{flagdeco|DE}}
|Köln
|| 61 × 61 cm
|Hostages: Incidents and People’s Flags
|Galerie Max Hetzler
|| Lisson Gallery
|<ref name=":0" />
 
|-
|-
| 2016
|1989
|| Now They Are II
|
|| Indian Ink on laser printed text on Teslin 144 SRA3 sheets
|{{flagdeco|IT}}
|Florence
|| 45 × 31.7 cm
|Hostages
|Galleria Schema
|| Lisson Gallery
|<ref name=":0" />
 
|-
|-
| 2016
|1990
|| Lovely Hostage IV
|
|| Glass, oil on canvas
|{{flagdeco|USA}}
|New York
|| 73 × 65 cm
|Hostages XXIV–XXXV
|Marian Goodman Gallery
|| Artsy
|<ref name=":0" />
 
|-
|-
| 2016
|1991
|| Lovely Hostage V
|
|| Glass, oil on canvas
|{{flagdeco|IT}}
|Rome
|| 73 × 65 cm
|Hostages
|The British School at Rome
|| Artsy
|<ref name=":0" />
 
|-
|-
| 2016
|1991
|| Lovely Hostage VI
|
|| Glass, oil on canvas
|{{flagdeco|FR}}
|Paris
|| 73 × 65 cm
|Hostages
|Galerie de Paris
|| Artsy
|<ref name=":0" />
 
|-
|-
| 2016
|1991
|| These Scenes
|
|| 5 mixed media works containing woodblock print, monotype, aquatint etching, etching, Xerox print, pencil drawing, crayon writing and collage on 300 gram laid paper
|{{flagdeco|UK}}
|Bristol
|| 80 × 120 cm
|Hostage Paintings 1987–1991
|Arnolfini Gallery
|| Artsy
|<ref name=":0" />
 
|-
|-
| 2016
|1991
|| Have You Ever Seen Me? I
|
|| Acrylic, collage and mixed media on paper
|{{flagdeco|UK}}
|Southampton
|| 76 × 76 cm
|Hostage Paintings 1987–1991
|John Hansard Gallery
|| Lisson Gallery
|<ref name=":0" />
 
|-
|-
| 2014-2017
|1991
|| Nobody Spoke Again
|
|| Alogram with acrylic on canvas and mixed media
|{{flagdeco|UK}}
|London
|| 110 × 200 × 200 cm
|Hostage Paintings 1987–1991
|Institute of Contemporary Arts
|| Artsy
|<ref name=":0" />
 
|-
|-
| 2017
|1991
|| not to be seen
|
|| Wood, electric wire, bulbs
|{{flagdeco|UK}}
|London
|| 160 × 60 × 60 cm
|Hostage Paintings: The Dark Series
|Lisson Gallery
|| Artsy
|<ref name=":0" />
 
|-
|-
| 2017
|1992
|| Almost a Home for Homeless Stuff
|
|| Screenprint
|{{flagdeco|AT}}
|Vienna
|| 64 × 45 cm
|Early Work 1965–1976; Recent Work 1991–1994
|Galerie Grita Insam
|| Artsy
|<ref name=":0" />
 
|-
|-
| 2017-2018
|1992
|| Flags for Organisations II
|
|| Gouache on Teslin with laser printed text
|{{flagdeco|BE}}
|Brussels
|| 29.7 × 42 cm
|Early Work 1965–1976; Recent Work 1991–1994
|Galerie Isy Brachot
|| Artsy
|<ref name=":0" />
 
|-
|-
| 2018
|1993
|| Studies and Conversations: Qui Pourra
|
|| Ink and pencil on paper
|{{flagdeco|FR}}
|Paris
|| 40.1 × 94.7 cm
|Early Work 1965–1976; Recent Work 1991–1994
|Galerie nationale du Jeu de Paume
|| Artsy
|<ref name=":0" />
 
|-
|-
| 2018
|1994
|| Studies and Conversations: Qui Pourra
|
|| Ink and acrylic on paper
|{{flagdeco|ES}}
|Madrid
|| 40.1 × 94.7 cm
|Early Work 1965–1976; Recent Work 1991–1994
|Galería Juana de Aizpuru
|| Artsy
|<ref name=":0" />
 
|-
|-
| 2018
|1994
|| Platons Hölle
|
|| Oil on canvas
|{{flagdeco|UK}}
|London
|| 160 × 120 cm
|Early Work 1965–1976; Recent Work 1991–1994
|Lisson Gallery
|| Artsy
|<ref name=":0" />
 
|-
|-
| 2018
|1995
|| A Bad Place
|
|| Indian ink on laser printed text on Teslin
|{{flagdeco|AT}}
|Vienna
|| 252 × 710 cm
|Art & Language and Luhmann
|Kunstraum
|| Artsy
|<ref name=":0" />
 
|-
|-
| 2019
|1996
|| Drawing from the Winter of 2013-2014 (107.4% Abstract)
|
|| HP Indigo Print, Metapaper extrarough white 270g/qm
|{{flagdeco|FR}}
|Paris
|| 42 × 29.7 cm
|Sighs Trapped by Liars
|Galerie de Paris
|| Artsy
|<ref name=":0" />
 
|-
|-
| 2019
|1996
|| 10 Posters
|
|| Hand Silkscreen
|{{flagdeco|ES}}
|Seville
|| 120 × 80 cm
|Conceptual Art from 1966 to 1996
|Galería Juana de Aizpuru
|| Artsy
|<ref name=":0" />
 
|-
|1996
|
|{{flagdeco|CH}}
|St Gallen
|Conceptual Art from 1966 to 1996
|Kunsthalle St Gallen
|<ref name=":0" />
|-
|1997
|
|{{flagdeco|BE}}
|Knokke
|Conceptual Art from 1966 to 1996
|Mulier Mulier Gallery
|<ref name=":0" />
|-
|-
| 2019
|1998
  || A Shadow on the Tongue IV
|
  || Indian ink over text on Teslin
|{{flagdeco|UK}}
|London
|Sighs Trapped by Liars
|Galerie Poo Poo
|<ref name=":0" />
|-
|1998
|
|{{flagdeco|BE}}
|Knokke
|Sighs Trapped by Liars
|Mulier Mulier Gallery
|<ref name=":0" />
|-
|1999
|
|{{flagdeco|DE}}
|Karlsruhe
|Art & Language & Luhmann Nr. 2
|Zentrum für Kunst und Medientechnologie
|<ref name=":0" />
|-
|1999
|
|{{flagdeco|AT}}
|Vienna
|Three Essays
|Galerie Grita Insam
|<ref name=":0" />
|-
|1999
|
|{{flagdeco|USA}}
|New York
|The Artist Out of Work: Art & Language 1972–1981
|P.S.1 Contemporary Art Center
|<ref name=":0" />
|-
|1999
|
|{{flagdeco|ES}}
|Madrid
|Cinco Ensayos
|Galería Juana de Aizpuru
|<ref name=":0" />
|-
|1999
|
|{{flagdeco|ES}}
|Barcelona
|Art & Language in Practice
|Fundació Antoni Tàpies
|<ref name=":0" />
|-
|2001
|
|{{flagdeco|BE}}
|Knokke
|15 Essays
|Mulier Mulier Gallery
|<ref name=":0" />
|-
|2002
|
|{{flagdeco|UK}}
|London
|Mother, Father, Monday
|Lisson Gallery
|<ref name=":0" />
|-
|2002
|
|{{flagdeco|FR}}
|Villeneuve-d’ascq
|Too Dark to Read: Motifs Rétrospectifs
|Lille Métropole Musée d’art modern d’art contemporain et d’art brut
|<ref name=":0" />
|-
|2003
|
|{{flagdeco|UK}}
|London
|What Work Does the Artwork Do?
|London Metropolitan University
|<ref name=":0" />
|-
|2003
|
|{{flagdeco|CH}}
|Zürich
|Now They Are Surrounded
|Migros Museum
|<ref name=":0" />
|-
|2004
|
|{{flagdeco|ES}}
|Malaga
|Now They Are Surrounded
|Centro de Arte Contemporáneo
|<ref name=":0" />
|-
|2004
|
|{{flagdeco|BE}}
|Knokke
|Now They Are Surrounded
|Mulier Mulier Gallery
|<ref name=":0" />
|-
|2004
|
|PT
|Lisbon
|Now They Are Surrounded
|Galeria Filomena Soares
|<ref name=":0" />
|-
|2005
|
|{{flagdeco|AT}}
|Vienna
|Now They Are Surrounded
|Galerie Grita Insam
|<ref name=":0" />
|-
|2005
|
|{{flagdeco|UK}}
|London
|Now They Are Surrounded
|Guildhall Art Gallery
|<ref name=":0" />
|-
|2005
|
|{{flagdeco|DE}}
|Karlsruhe
|Now They Are Surrounded
|Zentrum für Kunst und Medientechnologie
|<ref name=":0" />
|-
|2005
|
|{{flagdeco|UK}}
|London
|Hard to Say When
|Lisson Gallery
|<ref name=":0" />
|-
|2006
|
|{{flagdeco|FR}}
|Tiercé
|Il ne reste qu’à chanter
|Château de la Bainerie
|<ref name=":0" />
|-
|2006
|
|{{flagdeco|FR}}
|Nantes
|Il ne reste qu’à chanter
|Galerie de l’Erban
|<ref name=":0" />
|-
|2007
|
|{{flagdeco|UK}}
|London
|Now They Are Surrounded: Reconfigured
|London Metropolitan University
|<ref name=":0" />
|-
|2007
|
|{{flagdeco|ES}}
|Madrid
|Works 1965–1978, 2007–2008
|Distrito Cu4tro, Galeria de Arte
|<ref name=":0" />
|-
|2008
|
|{{flagdeco|BE}}
|Knokke
|Works 1965–1978, 2007–2008
|Mulier Mulier Gallery
|<ref name=":0" />
|-
|2008
|
|{{flagdeco|FR}}
|Paris
|Brouillages/Blurrings: Works on Paper
|Galerie Thaddaeus Ropac
|<ref name=":0" />
|-
|2009
|
|{{flagdeco|AT}}
|Salzburg
|Works on Paper
|Galerie Thaddaeus Ropac
|<ref name=":0" />
|-
|2009
|
|{{flagdeco|ES}}
|Madrid
|Recent Works
|Espacio Distrito Cu4tro
|<ref name=":0" />
|-
|2009
|
|{{flagdeco|FI}}
|Espoo
|Portraits and a Dream
|Espoo Museum of Modern Art
|<ref name=":0" />
|-
|2010
|
|{{flagdeco|USA}}
|Chicago
|Portraits and a Dream
|Rhona Hoffman Gallery
|<ref name=":0">https://lisson-art.s3.amazonaws.com/uploads/attachment/file/body/21103/Art_Language_CV.pdf</ref>
|-
|
|2010-02-27
|{{flagdeco|UK}}
|London
|Portraits and a Dream
|Lisson Gallery
|<ref name=":1">https://lisson-art.s3.amazonaws.com/uploads/attachment/file/body/15812/Art_Language_Press_Pack.pdf</ref>
|-
|2011
|
|{{flagdeco|BE}}
|Knokke
|Badges
|Mulier Mulier Gallery
|<ref name=":0" />
|-
|2011
|
|{{flagdeco|UK}}
|Canterbury
|Portraits and a Dream
|University of Kent
|<ref name=":0" />
|-
|2011
|
|{{flagdeco|AT}}
|Vienna
|Official Squares Again
|Galerie Grita Insam
|<ref name=":0" />
|-
|2012
|
|{{flagdeco|CH}}
|Zürich
|The Hut Project Painting with Art & Language
|Migros Museum für Gegenwartskunst
|<ref name=":0" />
|-
|2013
|
|{{flagdeco|UK}}
|Leeds
|The Hut Project Painting with Art & Language
|blip blip blip
|<ref name=":0" />
|-
|2013-04-12
|2013-05-18
|{{flagdeco|DE}}
|Düsseldorf
|Letters to the Red Krayola
|Galerie Kadel Willborn
|<ref>https://www.kadel-willborn.de/en/data/exhibitions/64/letters-to-the-red-krayola.html</ref>
|-
|2013
|
|{{flagdeco|BE}}
|Deurle
|Letters to the Red Krayola
|Museum Dhondt-Dhaenens
|<ref name=":0" />
|-
|2013
|
|{{flagdeco|BE}}
|Brussels
|Letters to the Red Krayola
|Garage Cosmos
|<ref name=":0" />
|-
|2014
|
|{{flagdeco|CH}}
|Zürich
|Made in Zurich: Art & Language Editions 1966–71
|Bernard Jordan Gallery
|<ref name=":0" />
|-
|2014
|
|{{flagdeco|ES}}
|Barcelona
|Uncompleted
|Museu d'Art Contemporani de Barcelona
|<ref name=":0" />
|-
|2014-11-14
|2015-01-17
|{{flagdeco|UK}}
|London
|Nobody Spoke
|Lisson Gallery
|<ref name=":1" /><ref name=":0" />
|-
|2016
|
|{{flagdeco|BE}}
|Knokke
|Not that is is needed now
|Mulier Mulier Gallery
|<ref name=":0" />
|-
|2016
|
|{{flagdeco|FR}}
|Montsoreau
|
|Château de Montsoreau-Musée d'art contemporain
|
|-
|2017
|
|{{flagdeco|DE}}
|Düsseldorf
|Nobody Spoke
|Kadel Willborn
|<ref name=":0" />
|-
|2017
|
|{{flagdeco|DE}}
|Berlin
|Nobody Spoke
|Kunstsaele
|<ref name=":0" />
|-
|2017-09-16
|2018-02-24
|{{flagdeco|FR}}
|Tours
|Ten Posters: Illustrations for Art & Language
|Centre de Création contemporaine Olivier Debré
|<ref>https://www.cccod.fr/wp-content/uploads/2017/08/dp-al-cccod-en-06122017.pdf</ref>
|-
|2018
|
|{{flagdeco|FR}}
|Montsoreau
|Art & Language Reality (Dark) Fragments (Light)
|Château de Montsoreau-Musée d'art contemporain
|
|-
|2019
|
|{{flagdeco|DE}}
|Berlin
|Devinera qui pourra (Figure it out who can)
|Galerie Michael Janssen
|<ref name=":0" />
|-
|2021
|
|{{flagdeco|UK}}
|Cambridge
|Now They Are
|Jesus College
|<ref name=":0" />
|-
|2022-03-03
|2022-04-16
|{{flagdeco|USA}}
|New York
|Hostage
|Lisson Gallery
|<ref>https://www.galleriesnow.net/shows/art-language/</ref>
|}
 
=== Works ===
{| class="wikitable"
! Year
!Title
  !Materials
!Dimensions
!Link
 
|-
| 1978
|| The Key of Dreams
|| Acrylic on paper
  || 140 × 100 cm
   
   
|| 168 × 148 cm
|| [https://www.art-language.org/page/f/225.htm A-L]
   
|-
|| Lisson Gallery
|1978
|Ten Illustrations for 'Radical Philosophy'
|
|
|
|-
| 1980
|| Portrait of V.I. Lenin with Cap, in the Style of Jackson Pollock III
||
|| 242.4 × 213.4 cm
|| [https://www.tate.org.uk/art/artworks/art-language-portrait-of-v-i-lenin-with-cap-in-the-style-of-jackson-pollock-iii-t12406 Tate]
 
|-
| 1980
|| Portrait of V.I. Lenin in the Style of Jackson Pollock V
|| Enamel on canvas
|| 239 × 210 cm
|| [https://www.artsy.net/artwork/art-and-language-portrait-of-vi-lenin-in-the-style-of-jackson-pollock-v Artsy]
 
|-
| 1980
|| Portrait of V.I. Lenin in the Style of Jackson Pollock VII
|| Enamel on canvas mounted on board
|| 105 × 100 cm
|| [https://www.artsy.net/artwork/art-and-language-portrait-of-vi-lenin-in-the-style-of-jackson-pollock-vii Artsy]
 
|-
| 1980
|| Portrait of V.I Lenin in the Style of Jackson Pollock VIII
|| Ink on paper
||
|| [https://www.artsy.net/artwork/art-and-language-portrait-of-vi-lenin-in-the-style-of-jackson-pollock-viii Artsy]
 
|-
| 1980
|| Portrait of V.I Lenin by V. Charangovitch (1970) in the style of Jackson Pollock III
|| Enamel paint on canvas mounted on wooden panel
|| 105 × 100 cm
|| [https://www.phillips.com/detail/art-language/UK010311/175 Philips]
 
|-
| 1981
|| Gustave Courbet’s ‘Burial at Ornans’; Expressing a Sensuous Affection .../Expressing a Vibrant Erotic Vision .../Expressing States of Mind that are Vivid and Compelling
|| Black ink, wash, gouache and wax crayon on cartridge paper, mounted on synthetic fabric
|| 324 × 699 × 5 cm
|| [https://www.tate.org.uk/art/artworks/art-language-gustave-courbets-burial-at-ornans-expressing-a-sensuous-affection-expressing-t03453 Tate]
 
|-
| 1981-1982
|| Index: The Studio at 3 Wesley Place
|| Photograph, pencil, pen and ink, watercolour, black washes and collage on paper mounted on sandwich of paper and plastic foam
|| 76.2 × 162.3 cm
|| [https://www.tate.org.uk/art/artworks/art-language-index-the-studio-at-3-wesley-place-t03804 Tate]
 
|-
| 1982
|| Index: The Studio at 3 Wesley Place, Executed by Mouth (II)
|| Pencil and carbon paper tracings on paper mounted on sandwich of paper and plastic foam
|| 97.5 × 210 cm
|| [https://www.tate.org.uk/art/artworks/art-language-index-the-studio-at-3-wesley-place-executed-by-mouth-ii-t03802 Tate]
 
|-
| 1982
|| Index: The Studio at 3 Wesley Place, in the Dark (IV), and Illuminated by an Explosion nearby (VI)
|| Photograph, pencil, watercolour and acrylic on tracing paper mounted on paper mounted on sandwich of paper and plastic foam
|| 78.4 × 162.7 cm
|| [https://www.tate.org.uk/art/artworks/art-language-index-the-studio-at-3-wesley-place-in-the-dark-iv-and-illuminated-by-an-t03801 Tate]
 
|-
| 1982
|| Index: The Studio at 3 Wesley Place (VI), Illuminated by an Explosion nearby
|| Photograph mounted on sandwich of paper and plastic foam
|| 106.7 × 160.3 cm
|| [https://www.tate.org.uk/art/artworks/art-language-index-the-studio-at-3-wesley-place-vi-illuminated-by-an-explosion-nearby-t03803 Tate]
 
|-
| 1982
|| Index: The Studio at 3 Wesley Place, in the Dark (VI), Showing the Position of ‘Embarrassments’ in (IV)
|| Photograph, black ink, wax crayon and metallic pencil on sandwich of paper and plastic foam
|| 79.7 × 168 cm
|| [https://www.tate.org.uk/art/artworks/art-language-index-the-studio-at-3-wesley-place-in-the-dark-vi-showing-the-position-of-t03800 Tate]
 
|-
| 1984
|| Study for Impressionism Returning Sometime in the Future
|| Pencil and acrylic on paper
|| 107 × 168 cm
|| [https://www.art-language.org/page/f/222.htm A-L]
 
|-
| 1983
|| Study for Impressionism Returning Sometime in the Future III
|| Pencil and acrylic on paper
|| 99.1 × 139.7 cm
|| [https://www.artsy.net/artwork/art-and-language-study-for-impressionism-returning-sometime-in-the-future-iii Artsy]
 
|-
| 1985-1986
|| Index: Incident in a Museum II
|| Oil and acrylic painting on canvas
|| 174 × 271 cm
||
 
|-
| 1985
|| Index: Incident in a Museum III
|| Alogram and oil on canvas on plywood
|| 174 × 271 cm
||
 
|-
| 1985
|| Index: Incident in a Museum IV
|| Alogram and oil on canvas
|| 174 × 271 cm
||
 
|-
| 1985
|| Index: Incident in a Museum V
|| Alogram and oil on canvas
|| 174 × 271 cm
||
 
|-
| 1986
|| Index: Incident in a Museum VI
|| Oil on canvas on plywood
|| 174 × 271 cm
||
 
|-
| 1986
|| Index: Incident in a Museum VII
|| Alogram and oil on canvas
|| 174 × 271 cm
||
 
|-
| 1986
|| Index: Incident in a Museum VIII
|| Alogram and oil on canvas
|| 174 × 271 cm
||
 
|-
| 1986
|| Index: Incident in a Museum IX
|| Alogram and oil on canvas
|| 174 × 271 cm
||
 
|-
| 1986
|| Index: Incident in a Museum X
|| Alogram and oil on canvas
|| 174 × 271 cm
||
 
|-
| 1986
|| Index: Incident in a Museum XI
|| Alogram and oil on canvas
|| 174 × 271 cm
||
 
|-
| 1986
|| Index: Incident in a Museum XII
|| Alogram and oil on canvas
|| 243 × 379 cm
||
 
|-
| 1986
|| Index: Incident in a Museum XIII
|| Alogram and oil on canvas on plywood
|| 174 × 271 cm
||
 
|-
| 1986
|| Index: Incident in a Museum (Madison Avenue) XIV
|| Alogram and oil on canvas on plywood
|| 174 × 271 cm
||
 
|-
| 1986
|| Index: Incident in a Museum XV
|| Alogram and oil on canvas
|| 243 × 379 cm
||
 
|-
| 1986
|| Index: Incident in a Museum XVI
|| Alogram and oil on canvas on plywood
|| 243 × 379 cm
||
 
|-
| 1987
|| Index: Incident in a Museum XVII
|| Alogram and oil on canvas
|| 271 × 379 cm
||
 
|-
| 1987
|| Index: Incident in a Museum XVIII
|| Oil on canvas
|| 174 × 271 cm
||
 
|-
| 1987
|| Index: Incident in a Museum XIX
|| Alogram and oil on canvas on plywood
|| 174 × 271 cm
|| [https://www.tate.org.uk/art/artworks/art-language-index-incident-in-a-museum-xix-t13894 Tate]
 
|-
| 1987
|| Index: Incident in a Museum XX
|| Alogram and oil on canvas
|| 174 × 271 cm
||
 
|-
| 1987
|| Index: Incident in a Museum XXI
|| Photography and oil on canvas on plywood
|| 234 × 379 cm
||
 
|-
| 1986
|| Index: Incident in a Museum XXII (The decade, 2003 -2013)
|| Alogram and oil on canvas on plywood
||
||
 
|-
| 1987
|| Index: Incident in a Museum XXV
||
|| 174 × 271 cm
||
 
|-
| 1987
|| Unit Cure, Unit Ground X
|| Acrylic on paper
|| 101.3 × 137 cm
|| [https://www.artsy.net/artwork/art-and-language-unit-cure-unit-ground-x Artsy]
 
|-
| 1989
|| Hostage XIII (3)
|| Oil on canvas
|| 147 × 152.3 cm
|| [https://www.artsy.net/artwork/art-and-language-hostage-xiii-3 Artsy]
|-
|1990
|Surf 76
|
|
|
|-
| 1990
|| Hostage LXXIII
|| Glass, oil on canvas on wood
|| 214 × 142.5 cm
|| Artsy
 
|-
| 1990
|| Study for Hostage 48
|| Acrylic, ink and pencil on paper
|| 127 × 88.9 cm
|| Artsy
 
|-
| 1990
|| Study for Hostage 60
|| Acrylic, ink and pencil on paper
|| 130 × 90 cm
|| Artsy
 
|-
| 1990
|| Hostage LX
|| Oil on canvas on wood with glass
|| 214 × 142.5
|| Lisson Gallery
 
|-
| 1990
|| Study for Hostage 65
|| Acrylic, ink and pencil on paper
|| 127.5 × 88 cm
|| Artsy
 
|-
| 1991
|| Study for Hostage 79
|| Acrylic, ink and pencil on paper
|| 130 × 90 cm
|| Artsy
 
|-
| 1991
|| Hostage LXXIX
|| Glass, oil on canvas on wood
|| 214 × 142.5
|| Lisson Gallery
|-
|1992
|Hello, How Are You?
|
|
|
|-
| 1992
|| [[Art Language Paints a Picture|Art &amp; Language Paints a Picture]]
|| text
||
||
 
|-
| 1992
|| Exit (Now They Are) 2
|| Oil pastel on tracing paper and paper
|| 136 × 100.5 cm
|| Phillips
 
|-
| 1992
|| 3 Maps
|| Set of 3 boxed jigsaws
|| 5 × 24.5 × 32.5 cm
|| Artsy
|-
|1995
|Portrait of an Artist
|
|
|
|-
| 1995
|| Study for Background, Incident, Foreground II
|| Acrylic on paper
|| 128 × 92 cm
|| Phillips
|-
|1998-1999
|Index: Wrongs Healed in Official Hope
|
|
|
|-
| 1999
|| Lovely Slang V
|| Glass over oil and mixed media on canvas laid on wood
|| 59.5 × 42.5 cm
|| Phillips
 
|-
| 1999
|| Art &amp; Language Paints a Picture: A Picture Painted by Actors
|| Graphite and acrylic paint on canvas and alogram on canvas over plywood and mixed media
||
|| Tate
 
|-
|
|| There were sighs trapped by liars (XXIV)
|| Acrylic on color photograph
|| 87 × 119 cm
|| Artsy
|-
|2000
|Down to the Stone
|
|
|
|-
|2001
|Framed unit No. # of Index (Landscape with St. George)
|
|
|
|-
| 2002
|| Homes from Homes, Virus I
|| Oil and enamel on canvas and mixed media
|| 98 × 175 cm
|| Lisson Gallery
 
|-
| 2004
|| Thirty Studies for a Luhmann Memorial
|| 30 works: collage, gouache on paper, passe-partout
|| 30 × 26 cm
|| Phillips
 
|-
| 2004
|| Lovely Slang XXI
|| Glass over oil and mixed media on canvas on wood
|| 82.9 × 70 cm
|| Lisson Gallery
 
|-
| 2004
|| Lovely Slang XXII
|| Glass over oil and mixed media on canvas on wood
|| 69 × 60.8 cm
|| Lisson Gallery
 
|-
| 2004
|| Lovely Slang XXVIII
|| Glass over oil and mixed media on canvas on wood
|| 72 × 65 cm
|| Artsy
 
|-
| 2005
|| Karaoke
|| Video, projection, colour and sound (stereo), 10 screenprints on paper and 13 ringbound booklets
|| 41 min. 10 sec
|| Tate
 
|-
| 2007
|| No Secret Painting XI
|| Painting and text
||
|| Lisson Gallery
 
|-
| 2007
|| Portraits of John Wayne, Jimmy Carter, Ad Reinhardt and Wile E. Coyote
|| Acrylic, crayon and mixed media, 4 parts
|| 90.3 × 39.7 × 38.5 cm
|| Artsy
 
|-
| 2007
|| Studies and Conversations: Qui Pourra
|| Collage and mixed media on photograph
|| 45 × 80 cm
|| Artsy
 
|-
| 2008
|| Qui Pourra
|| HD Video
|| 15 min. 36 sec.
|| Lisson Gallery
 
|-
| 2009
|| French Painting by Mouth
|| Lasertran, acrylic and mixed media with 144 pages of text bound in four volumes
|| 88 × 76 × 70 cm
|| Artsy
 
|-
| 2009
|| The Impression of Liars' Voices
|| Acrylic on canvas and mixed media, framed picture
||
|| Lisson Gallery
Phillips
|-
| 2009
|| The Background of a Hostage Incident
|| Acrylic on canvas and mixed media
|| 89.6 × 42.3 × 35 cm
|| Artsy
 
|-
| 2009
|| An Interview with Mayo Thompson
|| Acrylics on canvas and mixed media
|| 101.3 × 47.5 cm
|| Artsy
 
|-
| 2009
|| Now They Are Again No Secret
|| Acrylic on canvas and mixed media, framed picture
||
|| Lisson Gallery
 
|-
| 2009
|| Who Can Return?
|| Acrylic on canvas, photograph and mixed media
|| 98 × 48.5 × 36 cm
|| Artsy
 
|-
| 2009
|| Portraits and a Dream
|| 144 pages of 32 lines of text each printed on grey A3 paper plus one blank page, arranged in a grid and pasted onto one wall, 144 sets of 'paperchains' consisting of 16 links, suspended in rows on cables stretched between two walls
||
|| Lisson Gallery
 
|-
| 2009
|| Portrait of Vladimir Putin in the Style of Jackson Pollock
|| Oil and enamel on canvas; pencil on paper
||
|| Lisson Gallery
 
|-
| 2009-2010
|| Five American Background Songs
|| Acrylic on canvas and mixed media, plexiglas top
|| 105.2 × 58.5 × 41 cm
|| Artsy
 
|-
| 2011
|| Portrait and a Dream VII (1981)
|| Ink and crayon on paper and mixed media
||
|| Lisson Gallery
 
|-
| 2011
|| Portrait and a Dream IX (1966)
|| Ink and acrylic on paper and mixed media
||
|| Lisson Gallery
 
|-
| 2011
|| Portrait and a Dream XI (1968)
|| Ink on photostat and mixed media, 2 parts
||
|| Artsy
 
|-
| 2012
|| Art &amp; Language Paints a Picture (The performance of the Actors of the Jackson Pollock Bar); Art &amp; Language Paints a Picture (Directions for the Actors)
|| Oil on canvas trimmed in chains, mixed media, framed
|| 200 × 350 cm
|| Artsy
 
|-
| 2012
|| [[Letters to The Red Crayola|Letters to The Red Crayola I (1968)]]
|| Ink, acrylic, collage and mixed media on paper
|| 35 × 75.6 cm
|| Artsy
 
|-
| 2012
|| [[Letters to The Red Crayola|Letters to The Red Crayola II (1972)]]
|| Ink, acrylic, collage and mixed media on paper
|| 41.4 × 61.2 cm
|| Artsy
 
|-
| 2012
|| [[Letters to The Red Crayola|Letters to The Red Crayola III (1990)]]
|| Ink, acrylic, collage and mixed media on paper
|| 41.4 × 41.4 cm
|| Artsy
 
|-
| 2012
|| [[Letters to The Red Crayola|Letters to The Red Crayola IV (1976)]]
|| Ink, acrylic, collage and mixed media on paper
|| 41.4 × 41.4 cm
|| Artsy
 
|-
| 2012
|| [[Letters to The Red Crayola|Letters to The Red Crayola V (2000)]]
|| Ink, acrylic, collage and mixed media on paper
|| 79.2 × 83.5 cm
|| Artsy
 
|-
| 2012
|| [[Letters to The Red Crayola|Letters to The Red Crayola VI (1997)]]
|| Ink, acrylic, collage and mixed media on paper
|| 42.5 × 62.7 cm
|| Artsy
 
|-
| 2012
|| [[Letters to The Red Crayola|Letters to The Red Crayola VII (1973)]]
|| Ink, acrylic, collage and mixed media on paper
|| 51.8 × 71 cm
|| Artsy
 
|-
| 2012
|| [[Letters to The Red Crayola|Letters to The Red Crayola VIII (1973)]]
|| Ink, acrylic, collage and mixed media on paper
|| 51.8 × 71 cm
|| Artsy
 
|-
| 2012
|| [[Letters to The Red Crayola|Letters to The Red Crayola IX (2009)]]
|| Ink, acrylic, collage and mixed media on paper
||
|| Artsy
 
|-
| 2012
|| [[Letters to The Red Crayola|Letters to The Red Crayola X]]
|| Ink, acrylic, collage and mixed media on paper
|| 73.4 × 75.2 cm
|| Artsy
 
|-
| 2012
|| [[Letters to The Red Crayola|Letters to The Red Crayola XI (1982)]]
|| Ink, acrylic, collage and mixed media on paper
|| 52.3 × 102.8 cm
|| Artsy
 
|-
| 2012
|| [[Letters to The Red Crayola|Letters to The Red Crayola XII]]
||
||
|| Artsy
 
|-
| 2012
|| [[Letters to The Red Crayola|Letters to The Red Crayola XIII (1968)]]
|| Ink, acrylic, collage and mixed media on paper
|| 71.2 × 71.4 cm
|| Artsy
 
|-
| 2012
|| [[Letters to The Red Crayola|Letters to The Red Crayola XIV (1976)]]
|| Ink, acrylic, collage and mixed media on paper
|| 78.4 × 64.3 cm
|| Artsy
|-
|2012-2013
|Drawings from the Winter
|
|
|
|-
| 2013
|| Part of an American Portrait
|| Perforated offset print
|| 19.1 × 19.1 cm
|| Artsy
 
|-
| 2013
|| Portraits and a Dream III
|| Paper and canvas
||
|| Artsy
 
|-
| 2013
|| Portrait of President Barack Obama in the Style of Jackson Pollock
||
||
|| Phillips
 
|-
| 2013-2014
|| Nobody Spoke
|| Installation comprising 17 'chairs', alogram on canvas over plywood with acrylic and mixed media
||
|| Lisson Gallery
 
|-
| 2014
|| Sea Ghost III
|| Acrylic with ink and mixed media on canvas
|| 176 × 149.5 cm
|| Artsy
 
|-
| 2014
|| Sea Ghost IV
|| Acrylic with ink and mixed media on canvas
|| 176 × 149.5 cm
|| Artsy
 
|-
| 2014
|| Sea Ghost V
|| Acrylic with ink and mixed media on canvas
|| 176 × 149.5 × 4 cm
|| Lisson Gallery
 
|-
| 2014
|| Tell Me, Have You Ever Seen Me? II, Xi Jinping
|| Printed text on paper, ink, pencil and mixed media on paper, vitrine
|| 120 × 50 × 50 cm
|| Lisson Gallery
 
|-
| 2015
|| Now They Are I
|| 144 parts, ink and paint on paper
|| 42 × 29.7 cm
|| Artsy
 
|-
| 2015
|| Not That it is Needed Now (Oak) VIII
|| Oil on paper mounted on aluminum
|| 34 × 34 cm
|| Lisson Gallery
 
|-
| 2015
|| Not That it is Needed Now (Archive) XX
|| Oil and mixed medium on canvas
|| 61 × 61 cm
|| Lisson Gallery
 
|-
| 2016
|| Now They Are II
|| Indian Ink on laser printed text on Teslin 144 SRA3 sheets
|| 45 × 31.7 cm
|| Lisson Gallery
 
|-
| 2016
|| Lovely Hostage IV
|| Glass, oil on canvas
|| 73 × 65 cm
|| Artsy
 
|-
| 2016
|| Lovely Hostage V
|| Glass, oil on canvas
|| 73 × 65 cm
|| Artsy
 
|-
| 2016
|| Lovely Hostage VI
|| Glass, oil on canvas
|| 73 × 65 cm
|| Artsy
 
|-
| 2016
|| These Scenes
|| 5 mixed media works containing woodblock print, monotype, aquatint etching, etching, Xerox print, pencil drawing, crayon writing and collage on 300 gram laid paper
|| 80 × 120 cm
|| Artsy
 
|-
| 2016
|| Have You Ever Seen Me? I
|| Acrylic, collage and mixed media on paper
|| 76 × 76 cm
|| Lisson Gallery
 
|-
| 2014-2017
|| Nobody Spoke Again
|| Alogram with acrylic on canvas and mixed media
|| 110 × 200 × 200 cm
|| Artsy
 
|-
| 2017
|| not to be seen
|| Wood, electric wire, bulbs
|| 160 × 60 × 60 cm
|| Artsy
 
|-
| 2017
|| Almost a Home for Homeless Stuff
|| Screenprint
|| 64 × 45 cm
|| Artsy
 
|-
| 2017-2018
|| Flags for Organisations II
|| Gouache on Teslin with laser printed text
|| 29.7 × 42 cm
|| Artsy
 
|-
| 2018
|| Studies and Conversations: Qui Pourra
|| Ink and pencil on paper
|| 40.1 × 94.7 cm
|| Artsy
 
|-
| 2018
|| Studies and Conversations: Qui Pourra
|| Ink and acrylic on paper
|| 40.1 × 94.7 cm
|| Artsy
 
|-
| 2018
|| Platons Hölle
|| Oil on canvas
|| 160 × 120 cm
|| Artsy
 
|-
| 2018
|| A Bad Place
|| Indian ink on laser printed text on Teslin
|| 252 × 710 cm
|| Artsy
 
|-
| 2019
|| Drawing from the Winter of 2013-2014 (107.4% Abstract)
|| HP Indigo Print, Metapaper extrarough white 270g/qm
|| 42 × 29.7 cm
|| Artsy
 
|-
| 2019
|| 10 Posters
|| Hand Silkscreen
|| 120 × 80 cm
|| Artsy
 
|-
| 2019
|| A Shadow on the Tongue IV
|| Indian ink over text on Teslin
|| 168 × 148 cm
|| Lisson Gallery
 
|-
| 2019
|| A Shadow on the Tongue XIII
|| Acrylic over text on Teslin
|| 168 × 148 cm
   
|| Lisson Gallery
 
|-
| 2019
|| French Painting by Mouth (Chair in Bright Colours)
|| Lasertran, acrylic and mixed media with 36 pages of bound text
|| 88 × 38.4 × 35.5 cm
|| Artsy
 
|-
| 2021
|| FLAG
|| Hand silkscreen on double 250 gram Poly-Opti-Premium-Cloth
|| 200 × 120 cm
|| Artsy
 
|}
 
== References ==


|-
[[Category:Groups]]
| 2019
|| A Shadow on the Tongue XIII
|| Acrylic over text on Teslin
|| 168 × 148 cm
|| Lisson Gallery
 
|-
| 2019
|| French Painting by Mouth (Chair in Bright Colours)
|| Lasertran, acrylic and mixed media with 36 pages of bound text
|| 88 × 38.4 × 35.5 cm
|| Artsy
 
|-
| 2021
|| FLAG
|| Hand silkscreen on double 250 gram Poly-Opti-Premium-Cloth
|| 200 × 120 cm
|| Artsy
 
|}
 
== References ==

Latest revision as of 17:34, 24 November 2023

Art & Language is an art group associated with conceptual art and post-modernism.

With The Red Crayola

Main article: The Red Crayola with Art & Language

History

1966-1968: "Early" phase

1968: Art & Language was founded by Terry Atkinson, Michael Baldwin, Harold Hurrell, David Bainbridge (UK)

Works

David Bainbridge

  • Crane (1966)

David Bainbridge and Terry Atkinson

  • Crane Assertions

David Bainbridge and Harold Hurrell

  • Loop (1966)
  • Lecher System (1969)
  • Ingot (1969)

Michael Baldwin

  • Mirror Piece (1965?)[1]
  • Abstract Art No. 2 (1968)
  • Abstract Art, no. 6 (1967)

Terry Atkinson and Michael Baldwin

  • Map to Not Include (1966)
  • Air Show (1966) 5pp.
    • “A series of assertions concerning a theoretical usage of a column of air comprising a base of one square mile and of unspecified distance in the vertical dimension.”
    • Air Show Dimensions (1966) 5pp.
    • [The 'Declaration Device' associated with the Air Show...] (1967)
  • Hot-Cold (November 1967)
    • [Notes towards Hot-Cold and Notes towards French Army] (1967)
  • Air Conditioning Show (1967)
    • Natural Science: Air-Conditioning Show (1966) 3pp.
    • Study for the Air-Conditioning Show (1967)
  • Time Show
    • Notes on Time Show 1966-67 (1966-67)
    • 'Time Show' Fragment (1967)
  • Frameworks (1966)
    • Frameworks Appendices, no. 01 (1966-67) 3pp.
    • Frameworks Study (1967) 11p.
    • Frameworks Study A2 (1967) 5pp.
    • Frameworks Study I β (1966-67) 5pp.
    • Frameworks Exhibit II (1967) 4pp.
  • 22 Sentences: The French Army (1967) 20pp.
  • French Army (March 1968)
    • Notes towards French Army (1967)
  • Declaration Series (1967)
  • Oxfordshire Show (1966) 16pp.

Ian Burn

  • Mirror Piece (1967)

Mel Ramsden

  • Guaranteed (1967)
  • Secret Painting (1967-68)
    • Four Studies for a Secret Painting (1967)
    • Eleven Studies for a Secret Painting (1967)
    • Secret Painting (Study) (1967)
    • Study for a Secret Painting (1967)
  • Six Negatives (1968)

Ian Burn and Mel Ramsden

  • Notes on Analysis Book

Joseph Kosuth

  • Word and Object Series (1966)
  • Definition Series (1967)
  • Thesaurus Categories Series (1968)
  • Matter in General (1968)

?[2]

  • Three Suprematist Squares (1965)
  • A Direct Usage of Words... (1967)

?[3]

  • Aim at Boredom, Kasimir? (1966) 5pp.
  • Time Drawings (1965)
  • Crane Notes (1965-66) 12pp.
  • Text as Performance (1965-66)
  • Fragments and Elements (1965)
  • Acid Boxes (1966)
  • Ontology (1967)
  • A Note on the Notion of a 368 Year Old Spectator (1967) 3pp.
  • An Introduction to Precinct Publications (1968) 4pp.
  • Models + Dictionaries (1968) 4pp.
  • Sunnybank. (1967)
  • Ontological Fragments (1969)
  • Notes Referring to Machine Itself (1969-70) 8pp.
  • Asteroid Action Seat (1963)
  • I. T. N.: Establish further Connectors. P. & T. (1965)
  • Fragments and Elements I (1965)
  • An Argument from Illusion (1966)
  • Art Out of Sounds (1966)
  • H (i) 2 (1966)
  • [Language Truth and Logic] (1966)
  • Malevich I (1966)
  • Notes on Malevich (1966) 2pp.
  • [Names] (1966)
  • Note Typography for Text Book or Encyclopedia from 1965-66 (1966)
  • Paintings I, no.1-20 (1966/2014)
  • Performance as Text
    • Performance as Text, Appendix, Notes (1966) 5pp.
  • Proposition 1966 (1966)
  • Robotic Sculpture (1966)
  • Sculpture Notes I (1966)
  • Sculpture Notes II (1966)
  • Temperature Show (1966) 43pp.
    • Temperature Show Photographs (1966)
    • Temperature Print 1 (1967)
    • Temperature Print 2 (1967)
    • Temperature Print 3 (1967)
    • Temperature Print 4 (1967)
    • Temperature Print II (1967)
  • The Air-Conditioning as Device (1966)
  • The Wildthink Album (1966) 8pp.
  • Two Black Rectangles (The Paradoxes of Absolute Zero) (1966)
  • Two Black Squares (The Paradoxes of the Absolute Zero) (1966)
  • Two Black Squares (The Paradoxes of the Absolute Zero) (1967)
  • [Putative Art Practice in Britain] (1966-67) 5pp.
  • Acrostic Painting (1967)
  • Art Object — Syntax (1967)
  • Bibliography (1967)
  • City of Coventry College of Art Diploma in Art and Design Fine Art (Sculpture) History of Art and Contemporary Studies (1967)
  • Diploma in Art and Design — Fine Art (Sculpture) (1967)
  • Facts (1967)
  • Complete Bibliography of Articles on 'The Free Will Problem' (1967)
  • Continuum of Process (1967)
  • Identificatory Fragment (1967)
  • Identificatory Fragment 1967 (1967)
  • In Place of Painting (1967)
  • Life? Show. Frameworks Study (1967) 7p.
  • Map of Thirty-Six Square Mile Surface Area of the Pacific Ocean West of Oahu (1967)
  • Map to Not Indicate
    • Drawing for a Map to Not Indicate... (1967)
  • Map of Itself (1967)
  • Map of Scottish Lowlands to Include (1967)
  • Notes Towards Various Mappings (1967)
  • Notes: Harold Hurrell (1967)
  • [Photographic documentation of Undeclared Glasses] (1967)
  • Potato Print Model 1 (1967)
  • Potato Print Model 2 (1967)
  • Questions of Fact (1967)
  • Readings of Readings of the Tractatus (1967)
  • On the Concept of a Non Exhibition (1967) 6pp.
  • Part of a Short Lesson (1967)
  • Photo-Electric Switchgear (1967)
  • Time and News 1967 (1967)
  • Title Equals Text (1967)
  • Map to Not Indicate... (1967 (1991))
  • 100% Abstract (1967-68)

Essays

Michael Baldwin

  • Remarks on Air-Conditioning: An Extravaganza of Blandness (November 1967, Arts Magazine)
    • Reprinted in Conceptual Art: A Critical Anthology (ed. Alberro and Stimson)

Exhibitions

  • 1967: Hardware Show (Architectural Association, London, UK)
  • 1968: Dematerialisation Show (Ikon Gallery, UK)
  • 1968: VAT 68 (The Herbert Art Gallery, UK)

1969-1970: "Insular" phase

1969: Joined by Joseph Kosuth, Ian Burn, Mel Ramsden (NY)

Art-Language issues 1 - 3

Essays

Charles Harrison

  • Against Precedents (September 1969, Studio International) Full article
  • On Exhibitions and the World at Large (December 1969, Studio International) Full article

Terry Atkinson, David Bainbridge, Michael Baldwin, Harold Hurrell

  • Status and Priority (January 1970, Studio International) Full article

Joseph Kosuth

  • Art After Philosophy (1969)
    • Michel Claura, “Conceptual Misconceptions,” Studio International, 179:918 (January 1970), pp. 5–6
    • Dore Ashton, “Kosuth: The Facts,” Studio International, 179:919 (February 1970), p. 44
    • Joseph Kosuth, “Kosuth Replies to Claura,” Studio International, 179:919 (February 1970), p. 44
    • Joseph Kosuth, “An Answer to Criticisms,” Studio International, 179:923 (June 1970), p. 245
    • Barbara Reise, “Joseph Kosuth,” Studio International, 180:925 (September 1970), p. 71

Exhibitions

  • 1969: Art & Language (Pinacotheca Gallery, Melbourne, AU)

1970-1971: "Transitional" phase

1971: Joined by Charles Harrison, Philip Pilkington, David Rushton, Lynn Lemaster, Sandra Harrison, Graham Howard, Paul Wood (UK)

1971: Joined by Michael Corris (NY)

Pause in the group's publishing history(?)

Art Theory Course

  • Natural Reason [Notes for a seminar at Coventry] (1971) 6pp.
    • "These are no more (and no less than notes made in preparation for a seminar at the art school in Coventry. The Art Theory course there was regarded by the authorities as an unwelcome experiment. The seminar itself was concerned with examining a political and social theory which had long been natural to art institutions of all shapes and sizes. The theory, grown in the philosophical tradition of Hobbes and Locke holds that all individuals are their own proprietors — that each person holds his or her own body and capacities as a kind of private property. The theory is, of course, fundamental to the development and continuation of capitalism. It is also fundamental to certain notions of personal autonomy, notions that were often among the unchallengeable motifs of artistic authorship and authenticity. These seminars and many others were, for a short time at least, regarded as the real substance of the artistic work of Art & Language."

Analytical Art (Kevin Lole, Philip Pilkington, David Rushton)

?

  • Swift Reference Case (1971)

1972-1973: "Pluralistic" phase

  • Index 01 (1972)

Art-Language

Analytical Art (Kevin Lole, Philip Pilkington, David Rushton)

1973-1976

?: Joined by Paula Ramsden, Mayo Thompson, Christine Koslov, Preston Heller, Andrew Menard, Kathryn Bigelow

1974: Terry Atkinson leaves

Art & Language (UK) (Michael Baldwin, Philip Pilkington)

Art & Language (New York) (Ian Burn, Mel Ramsden, and Terry Smith)

  • September 1974: Art-Language Vol. 3 No. 1: Draft for an Anti-Textbook
  • March 1975: The Fox 1
  • Fall 1975: The Fox 2
  • Michael Corris - Inside a New York Art Gang: Selected Documents of Art & Language, New York
    • Document I, April 1975
    • Document II, 1975
    • Document III, 1975
    • Document IV, December 1975: on picketing the Whitney
    • Document V, 1975-76: questionnaire" for Red Faces
    • Document VI, 1975
    • Document VII, March 1976
    • Document VIII, August 1976: red banner at La Biennale di Venezia
    • Document IX, 1976
    • Document X, 1976: Organization: A Working Paper

September 1975: Art & Language 1966-1975

(Provisional) Art & Language

  • Ian Burn, Terry Smith, Nigel Lendon moved to Australia
  • Mel, Paula and Anne Ramsden, Mayo Thompson and Christine Kozlov moved to the UK

Essays

Terry Smith

  • Art and Art & Language (February 1974, Artforum)
    • Republished in One and Five Ideas (2017)

Ian Burn

  • The Art Market: Affluence and Degradation (April 1975, Artforum) Full article

?

  • Notes on Duchamp's Bottle Rack (c. 1975)

1977-

Art-Language

Essays

  • “Remembering Conceptual Art,” delivered by Art & Language to the conference “Who’s Afraid of Conceptual Art” (19 March 1995, Institute of Contemporary Arts, London), pp. 9–10.

Works/projects

1965-1968: Pre-Art & Language

1969-1976: Art & Language group

1977-present: Art & Language duo

1990s

  • Hello, How Are You?
  • Art & Language Paints a Picture
  • Exit (Now They Are)
  • 3 Maps
  • Portrait of an Artist
  • Index: Wrongs Healed in Official Hope
  • Lovely Slang
  • Sighs Trapped by Liars

2000s

  • Down to the Stone
  • Homes from Homes
  • Thirty Studies for a Luhmann Memorial
  • Karaoke Bar
  • No Secret Painting
  • Portraits of John Wayne, Jimmy Carter, Ad Reinhardt and Wile E. Coyote
  • Qui Pourra
  • French Painting by Mouth
  • Portraits and a Dream

2010s

2020s

  • Flag

Bibliography

Works

Year Title pg. Publisher Notes
1967 Frameworks - Art Conditioning 20 Art & Language Press Edition of 200
1967 Hot-Cold 99 Art & Language Press Edition of 200
1967 Declaration Propositions 42 Edition of 50
1967 Notes on Time Show 1966-67 16 Edition Bischoffberger
1967 Notes typography for textbook or encyclopaedia from 1965 -1966 64 Edition Bischoffberger Edition of 200
1968 Geology 1967-68 8 Edition Bischoffberger Edition of 200
1968 22 Sentences: The French Army 48 Art & Language Press Edition of 200
1969 Six Negatives The Society for Theoretical Art
1969 Introduction to Discourse 15 Edition Bischoffberger
1970 Statements January 1970 44 Analytical art Edition of 100
1971 Theories of Ethics New York Cultural Center Edition of 200
1971 Authorship 13
1971 Olivet Discourse 44 Art-Language Press Edition of 40
1971 First edition limited, one hundred copies; subscription (per annum) 97 Edition of 100
1971 Handbook to 'Ingot' 42 New York Cultural Center

1973 Blurting in A & L Art & Language Press

The Mezzanine

1973 A 001 transcription - 21.5.73 48
1974 Threshold Agreement 36 Oriel Gallery

Essay collections

Main article: Art-Language

Year Title pg. Publisher Notes
1972
Art & Language: Texte zum Phänomen Kunst und Sprache (1966-72) 347 Verlag Dumont-Schauberg German/English
1978
Art & Language (1975-78) 257 Eric Fabre, Paris French/English
1980
Art & Language (1967-80) 414 Van Abbemuseum, Eindhoven English/Dutch[4]
2005
Art & Language: Writings (1980-2002) 299 Lisson Gallery English
2007
Albert, Joan and Sinbad 84 White Wine Press English/Spanish

Charles Harrison on Art & Language

Year Title pp. Notes
1982
A Provisional History of Art & Language (with Fred Orton) 89 [5]
1991
Essays on Art & Language 302 [6]
2001 Conceptual Art and Painting: Further Essays on Art & Language 234 [7]

Exhibition catalogs

Year Title pg. Publisher Notes
1969 Art & Language: Catalogue Raisonné. November 1965 - February 1969 38 Galerie Bischofberger, Zurich [8]
1974
Art & Language 42 Kunstmuseum, Luzern German/English[9][10]
1975
Art & Language 1966-1975 51 Museum of Modern Art, Oxford
1975
Art & Language: Australia 1975 229 National Gallery of Victoria [11]
1980
Art & Language 414 Van Abbemuseum, Eindhoven English/Dutch[4]
1981 Portrait de V.I. Lenine Editions Eric Fabre, Paris
1982 Art & Language: Index: Studio at 3 Wesley Place Painted by Mouth 24 De Vleeshal, Middelburg English/Dutch
1982 Art & Language Musée d'Arte Moderne, Toulon French/English
1983
Art & Language Ikon Gallery, Birmingham
1983
Art & Language 48 Los Angeles Institute of Contemporary Arts
1986 Art & Language: Confessions: Incidents in a Museum Lisson Gallery, London
1987 Art & Language: The Paintings
1988 Art & Language: Hostages Lisson Gallery, London Hostage
1991
Hostages XXIV - XXXV Hostage
1992
Art & Language: Now They Are 104 Isy Brachot Gallery, Brussels French/English
1993
Art & Language 162 Galerie Nationale Du Jeu De Paume, Paris French/English
1997 Art & Language & Luhmann 232 Passagen Kunst German/English
1999
Art & Language in Practice Vol. 1 299 Fundació Antoni Tapiès, Barcelona
1999
Art & Language in Practice Vol. 2 276 Fundació Antoni Tapiès, Barcelona Catalan/English
2002
Art & Language: Too Dark to Read: Motifs Rétrospectifs 2002-1965 276 Musée d'art moderne Lille Métropole, Villeneuve-d'Ascq French/English
2004 Art & Language 123 CAC Málaga Spanish
2006 Homes for Homes II 272 Migros Museum für Gegenwartskunst, Zurich English/German
2008 A&L 245 Mulier Mulier
2008 Art & Language: Brouillages / Blurrings. Dessins/Works on paper 1965-2008 Galerie Thaddaeus Ropac
2011 Art & Language: Badges
2013 Art & Language: Portraits of President Barack Obama in the Style of Jackson Pollock 88 Mulier Mulier Dutch/English
2014
Art & Language Uncompleted: The Philippe Méaille Collection 264 MACBA
2014 'Landscape with St George Delivered at Night' 46 MACBA [12]
2014 Nobody Spoke
2015
Art and Language: Made in Zurich – Selected Editions 1965-1972 109 Editions Bernard Jordan English/German/French
2016 A&L: Not That It Is Needed Now Mulier Mulier
2016
Art & Language: entretien avec Victorine Meurend 30 Château de Montsoreau-Musée d’art contemporain French/English[13]
2018
Reality (Dark) Fragments (Light) 176 Château de Montsoreau-Musée d’art contemporain French/English[14][15]

On Art & Language

Year Type Author Title pp. Notes
1976 thesis David Brian Mitchell The Art & Language Group: 1966 to 1973 138 [16]
1992 thesis William Wood We are a Cell Aren't We?: Art & Language and the Documenta Index [17]
2010 book Nika Radić Art und Language und die konzeptuelle Kunst 176
2011 thesis Miguel Carneiro Nogueira Ferrão A Conversa e o Relato Enquanto Possibilidades do Comum, a Partir De We Aim to Be Amateurs (Art & Language, 1997)
2012 thesis Robert Bailey Art & Language and the Politics of Art Worlds, 1969-1977 [18]
2012 thesis Raoul Noortmann Art-Language: A Reaction to the Dematerialization of Art 73 [19]
2012 book Christian Matthiessen OTMA & LUNL (On Tour mit Art & Language und Niklas Luhmann): Ein Theorie Roman in the Style of the Jackson Pollock Bar 160 [20][21]
2016 book Robert Bailey Art & Language International: Conceptual Art Between Art Worlds
2016 thesis Mark Dennis Strategic Anomalies: Art & Language in the Art School 1969-1979 [22]
2018 thesis Louisa Lee Discursive Sites: Text-Based Conceptual Art Practice in Britain [23]

Articles

Year Title Publication Notes
November 1967 Remarks on Art-Conditioning Arts Magazine
September 1969 Charles Harrison Against Precedents Studio International Full article
December 1969 Charles Harrison On Exhibitions and the World at Large Studio International Full article
January 1970 Terry Atkinson

Michael Baldwin

David Bainbridge

Harold Hurrell

Status and Priority Studio International Full article
February 1970 Charles Harrison Notes towards Art Work Studio International Full article
July-August 1970 Terry Atkinson

David Bainbridge

Michael Baldwin

Harold Hurrell

Lecher System Studio International Full article
November 1970 Charles Harrison A Very Abstract Context Studio International Full article
May 1971 Charles Harrison Virgin Soils and Old Land (Introduction to 'The British Avant-Garde' Studio International Full article
May 1971 Terry Atkinson

Michael Baldwin

De Legibus Naturae Studio International Full article
October 1971 Ian Burn

Mel Ramsden

A Question of Epistemic Adequacy Studio International Full article
October 1971 Philip Pilkington

Kevin Lole

David Rushton

Charles Harrison

Some Concerns in Fine Art Education Studio International Full article
November 1971 Linda Morris

Digby Jacks

Charles Harrison

Some Concerns in Fine Art Education II Studio International Full article
April 1972 Terry Atkinson

Michael Baldwin

Some Post-War American Work and Art & Language: Ideological Responsiveness Studio International Full article
May 1972 Charles Harrison Educating Artists Studio International Full article
June 1972 Charles Harrison Art & Language Press Studio International Full article
June 1972 Forget the Paintings Studio International
November 1972 Harold Hurrell Art and Terminology Studio International Full article
1972 Selected essays by Art & Language über Kunst
January 1973 Kevin Lole

Philip Pilkington

David Rushton

Possible Models for Propositional Attitudes Studio International Full article
1973 Proceedings Audio Arts, no.1 audio
September 1973 Letter to Artforum Artforum Full article
1973 Art and its Cultural Context Deurle 11/7/'73
June 1973 The Problem of Context Frameworks Journal
1973 Artworks and Explications Joseph Kosuth: Investigations über Kunst und Problemkreise
February 1974 Terry Smith Art and Art and Language Artforum Full article
October 1974 Dialectical Materialism Extra, no. 2
February-March 1977 Us, Us and Away Data
1977 Nous ne donnons pas notre Travail Newcastle Writings
November 1977 British Painting '52-'77 Art Monthly
1977 What do you Expect: A Question put to Seven Politically Orientated Artists
October 1978 Art for Society? Art Monthly
May 1979 Artists and Philosophers (reply to Willis Domingo) Art Monthly
February 1980 Portrait of V. I. Lenin in the Style of Jackson Pollock Artforum Full article
1980 The Ratification of Abstract Art Towards a New Art: essays on the background to abstract painting 1910-20
1980 Charles Harrison Modern Art and the Concept of Risk U201: Risk
1980 Joseph Stalin Gazing Enigmatically at the Body of V. I. Lenin as it Lies in Statue in Moscow in the Style of Jackson Pollock File, vol. 4, no. 4
September 1981 Manet's Olympia and Contradiction Block 5
1981 Art History, Art Criticism and Explaination Art History, vol. 4, no. 4

Reprinted in Pollock and After: The Critical Debate (1985, ed. Francis Frascina)

Reprinted in Art History and Its Methods: A Critical Anthology (1995, ed. Eric Femie)

Summer 1982 Kangaroo? (Some songs by Art & Language and The Red Crayola) Art Journal
December 1982 Painting by Mouth Artery (National Forum for College Art)
March 1983 Art & Language Paints a Picture Gewad Informatief
September 1983 A Cultural Drama: The Artist's Studio [seminar transcript] Art & Language [exhibition catalog]
April 1985 Julian Opie's Sculptures Julian Opie [exhibition catalog]
July-August 1985 Francis Bacon Artscribe, no. 53
June-July 1985 T. Setch [review] Artscribe
June-July 1985 K. Vaughn [review] Artscribe
June-July 1985 Ronald Alley Hangs a Picture Artscribe
November 1986 Andy Warhol [review] Artscribe, no. 60

Pre-Art & Language

These early pieces are often (retroactively) considered and displayed with works of Art & Language.

Year Title Artist Materials Dimensions Link
1965 Untitled Painting Michael Baldwin Mirror mounted on canvas, two parts 119.3 × 58.3 × 10.9 cm A-L

Wikipedia

1965 Untitled Painting Michael Baldwin Mirrors mounted on canvas, two parts 101.5 × 61 × 7.5 cm A-L

Wikipedia

1965 Untitled Painting Michael Baldwin A-L

Wikipedia

1965 Untitled Paintings Michael Baldwin 4 mirrors mounted on 4 canvas 61 × 30 cm A-L

Wikipedia

1965 Four Suprematist Squares Installation of four 12 inch black squares painted on the wall 30.5 × 167.6 cm A-L
1965 Black Painting Enamel on canvas 8 × 244 cm A-L
1966 Painting I, No.2 Inkjet on paper mounted on wooden panel 157 × 150 cm Artsy
1966 Painting I, No.7 Inkjet on paper mounted on wooden panel 77 × 150 cm Artsy
1966 Painting I, No.8 Inkjet on paper mounted on wooden panel 93 × 150 cm Artsy
1966 Painting I, No.9 Inkjet on paper mounted on wooden panel 108 × 150 cm Artsy
1966 Entropy
1966-1967 Air Conditioning Show Terry Atkinson

Michael Baldwin

Wikipedia
1967 Potato Print Model 1 Lithography on paper 52 × 67.5 cm Artsy
1967 Potato Print Model 1 Lithography on paper 52 × 67.5 cm Artsy
1967 Map Not to Indicate
1967 Studies for a Secret Painting
1967-1968 Secret Painting
1967-1968 Geology
1967-1968 Guaranteed Painting
1968 100% Abstract

Art & Language

Journal

Main article: Art-Language

Exhibitions

Start date End date Title Gallery Notes
1967 London Hardware Show Architectural Association
1968 London Dematerialisation Show Ikon Gallery
1968 Coventry VAT 68 The Herbert Art Gallery
1969 AU Melbourne Art & Language Pinacotheca Gallery
1971 New York The Air-Conditioning Show Visual Arts Gallery
1971 Paris Art & Language Galerie Daniel Templon
1971 Turin Art & Language Galleria Sperone
1971 New York Tape Show: Exhibition of Lectures Dain Gallery
1971 Milan Questionnaire Galleria Daniel Templon
1972 Paris The Art & Language Institute Galerie Daniel Templon
1972 Köln Documenta Memorandum Galerie Paul Maenz
1972 Paris Analytical Art Galerie Daniel Templon
1973 New York Index 002 Bxal John Weber Gallery
1973 Köln Art & Language Galerie Paul Maenz
1973 London Art & Language Lisson Gallery
1973 Paris Annotations Galerie Daniel Templon
1974 Turin Art & Language Galleria Sperone
1974 Zürich Art & Language Galerie Bischofberger
1974 Florence Art & Language Galleria Schema
1974 London Art & Language Lisson Gallery
1974 Brussels Art & Language Galerie MTL
1974 RS Belgrade Art & Language Studentski Kulturni Centar
1975 AU Sydney Art & Language New York ↔ Australia Art Gallery of New South Wales
1975 AU Melbourne Art & Language New York ↔ Australia National Gallery of Victoria
1975 PO Warsaw Art & Language Foksal Gallery
1975 Florence Dialectical Materialism Galleria Schema
1975 Paris Art & Language Galerie Ghislain Mollet-Viéville
1975 Brussels Art & Language Galerie MTL
1975 NZ Auckland Piggy-Cur-Perfect Auckland City Art Gallery
1976 New York Music-Language John Weber Gallery
1976 Paris Music-Language Galerie Eric Fabre
1976 Oxford Art & Language Modern Art Oxford
1977 London 10 Posters: Illustrations for Art-Language Robert Self Gallery
1978 Ghent Flags for Organisations Cultureel Informatief Centrum
1978 London Flags for Organisations Lisson Gallery
1979 Paris Ils donnent leur sang ; donnez votre travail Galerie Eric Fabre

Works

Year Title Materials Dimensions Link
1968 M 1:2 Lithography on paper 50.6 × 62.2 cm Artsy
1971-1972 Poster for Air-Conditioning Show
1972 Alternate Map for Documenta / Documenta Memorandum Offset lithograph newsprint 72.2 × 50.6 cm Artsy
1974 Index 02 (Bxal): Indexical Fragments 6
1975 Shouting Men Artsy
1975 Dialectical Materialism (Dark Green)
1973-1976 Music-Language: Corrected Slogans (P) A&L Vinyl record
1976 Music-Language: Nine Gross and Conspicuous Errors (P) A&L Video, 26min
1977 Ten Postcards Lithograph on paper 20.3 × 76.5 cm Tate
1977 Ten Posters: Illustrations for Art-Language
1977 Study for 'Ils donnent leur sang donnez votre travail' Gouache and pencil on paper 53.4 × 106.5 cm Artsy

Art & Language as a duo

Michael Baldwin and Mel Ramsden

Solo exhibitions

Start date End date Title Gallery Notes
1980 Leeds Portraits of V.I. Lenin in the Style of Jackson Pollock University Gallery
1980 London Portraits of V.I. Lenin in the Style of Jackson Pollock Lisson Gallery
1980 Eindhoven Portraits of V.I. Lenin in the Style of Jackson Pollock Van Abbemuseum
1981 Antwerp Portraits of V.I. Lenin in the Style of Jackson Pollock Jan Sack
1981 Geneva Portraits of V.I. Lenin in the Style of Jackson Pollock Centre d’Art Contemporain [24]
1981 Paris Gustave Courbet’s “Burial at Ornans” Expressing... Galerie Eric Fabre [24]
1982 Toulon Index: Studio at 3 Wesley Place Painted by Mouth Musée d’Art de Toulon [24]
1982 Middelburg Index: Studio at 3 Wesley Place Painted by Mouth De Vleeshal [24]
1983 Los Angeles Index: Studio at 3 Wesley Place (Illuminated by an Explosion nearby), VII, VIII Los Angeles Institute of Contemporary Art [24]
1983 London Index: Studio at 3 Wesley Place (Illuminated by an Explosion nearby), VII, VIII Lisson Gallery [24]
1983 Vienna Index: Studio at 3 Wesley Place (Illuminated by an Explosion nearby), VII, VIII Galerie Grita Insam [24]
1983 Birmingham Index: Studio at 3 Wesley Place Ikon Gallery [24]
1983 Ghent Index: Studio at 3 Wesley Place I, II, III, IV Gewad [24]
1985 London Studies for the Studio at 3 Wesley Place Tate Gallery [24]
1986 Paris Index: An Incident in a Museum Galerie de Paris [24]
1986 London Confessions: Incidents in a Museum Lisson Gallery [24]
1987 New York The Paintings Marian Goodman Gallery [24]
1987 Brussels The Paintings Palais des Beaux-Arts [24]
1987 London Index: Incidents in a Museum Lisson Gallery [24]
1988 London Hostages Lisson Gallery [24]
1989 Paris Early Works 1966–1974 Galerie Sylvana Lorenz [24]
1989 Köln Hostages: Incidents and People’s Flags Galerie Max Hetzler [24]
1989 Florence Hostages Galleria Schema [24]
1990 New York Hostages XXIV–XXXV Marian Goodman Gallery [24]
1991 Rome Hostages The British School at Rome [24]
1991 Paris Hostages Galerie de Paris [24]
1991 Bristol Hostage Paintings 1987–1991 Arnolfini Gallery [24]
1991 Southampton Hostage Paintings 1987–1991 John Hansard Gallery [24]
1991 London Hostage Paintings 1987–1991 Institute of Contemporary Arts [24]
1991 London Hostage Paintings: The Dark Series Lisson Gallery [24]
1992 Vienna Early Work 1965–1976; Recent Work 1991–1994 Galerie Grita Insam [24]
1992 Brussels Early Work 1965–1976; Recent Work 1991–1994 Galerie Isy Brachot [24]
1993 Paris Early Work 1965–1976; Recent Work 1991–1994 Galerie nationale du Jeu de Paume [24]
1994 Madrid Early Work 1965–1976; Recent Work 1991–1994 Galería Juana de Aizpuru [24]
1994 London Early Work 1965–1976; Recent Work 1991–1994 Lisson Gallery [24]
1995 Vienna Art & Language and Luhmann Kunstraum [24]
1996 Paris Sighs Trapped by Liars Galerie de Paris [24]
1996 Seville Conceptual Art from 1966 to 1996 Galería Juana de Aizpuru [24]
1996 St Gallen Conceptual Art from 1966 to 1996 Kunsthalle St Gallen [24]
1997 Knokke Conceptual Art from 1966 to 1996 Mulier Mulier Gallery [24]
1998 London Sighs Trapped by Liars Galerie Poo Poo [24]
1998 Knokke Sighs Trapped by Liars Mulier Mulier Gallery [24]
1999 Karlsruhe Art & Language & Luhmann Nr. 2 Zentrum für Kunst und Medientechnologie [24]
1999 Vienna Three Essays Galerie Grita Insam [24]
1999 New York The Artist Out of Work: Art & Language 1972–1981 P.S.1 Contemporary Art Center [24]
1999 Madrid Cinco Ensayos Galería Juana de Aizpuru [24]
1999 Barcelona Art & Language in Practice Fundació Antoni Tàpies [24]
2001 Knokke 15 Essays Mulier Mulier Gallery [24]
2002 London Mother, Father, Monday Lisson Gallery [24]
2002 Villeneuve-d’ascq Too Dark to Read: Motifs Rétrospectifs Lille Métropole Musée d’art modern d’art contemporain et d’art brut [24]
2003 London What Work Does the Artwork Do? London Metropolitan University [24]
2003 Zürich Now They Are Surrounded Migros Museum [24]
2004 Malaga Now They Are Surrounded Centro de Arte Contemporáneo [24]
2004 Knokke Now They Are Surrounded Mulier Mulier Gallery [24]
2004 PT Lisbon Now They Are Surrounded Galeria Filomena Soares [24]
2005 Vienna Now They Are Surrounded Galerie Grita Insam [24]
2005 London Now They Are Surrounded Guildhall Art Gallery [24]
2005 Karlsruhe Now They Are Surrounded Zentrum für Kunst und Medientechnologie [24]
2005 London Hard to Say When Lisson Gallery [24]
2006 Tiercé Il ne reste qu’à chanter Château de la Bainerie [24]
2006 Nantes Il ne reste qu’à chanter Galerie de l’Erban [24]
2007 London Now They Are Surrounded: Reconfigured London Metropolitan University [24]
2007 Madrid Works 1965–1978, 2007–2008 Distrito Cu4tro, Galeria de Arte [24]
2008 Knokke Works 1965–1978, 2007–2008 Mulier Mulier Gallery [24]
2008 Paris Brouillages/Blurrings: Works on Paper Galerie Thaddaeus Ropac [24]
2009 Salzburg Works on Paper Galerie Thaddaeus Ropac [24]
2009 Madrid Recent Works Espacio Distrito Cu4tro [24]
2009 Espoo Portraits and a Dream Espoo Museum of Modern Art [24]
2010 Chicago Portraits and a Dream Rhona Hoffman Gallery [24]
2010-02-27 London Portraits and a Dream Lisson Gallery [25]
2011 Knokke Badges Mulier Mulier Gallery [24]
2011 Canterbury Portraits and a Dream University of Kent [24]
2011 Vienna Official Squares Again Galerie Grita Insam [24]
2012 Zürich The Hut Project Painting with Art & Language Migros Museum für Gegenwartskunst [24]
2013 Leeds The Hut Project Painting with Art & Language blip blip blip [24]
2013-04-12 2013-05-18 Düsseldorf Letters to the Red Krayola Galerie Kadel Willborn [26]
2013 Deurle Letters to the Red Krayola Museum Dhondt-Dhaenens [24]
2013 Brussels Letters to the Red Krayola Garage Cosmos [24]
2014 Zürich Made in Zurich: Art & Language Editions 1966–71 Bernard Jordan Gallery [24]
2014 Barcelona Uncompleted Museu d'Art Contemporani de Barcelona [24]
2014-11-14 2015-01-17 London Nobody Spoke Lisson Gallery [25][24]
2016 Knokke Not that is is needed now Mulier Mulier Gallery [24]
2016 Montsoreau Château de Montsoreau-Musée d'art contemporain
2017 Düsseldorf Nobody Spoke Kadel Willborn [24]
2017 Berlin Nobody Spoke Kunstsaele [24]
2017-09-16 2018-02-24 Tours Ten Posters: Illustrations for Art & Language Centre de Création contemporaine Olivier Debré [27]
2018 Montsoreau Art & Language Reality (Dark) Fragments (Light) Château de Montsoreau-Musée d'art contemporain
2019 Berlin Devinera qui pourra (Figure it out who can) Galerie Michael Janssen [24]
2021 Cambridge Now They Are Jesus College [24]
2022-03-03 2022-04-16 New York Hostage Lisson Gallery [28]

Works

Year Title Materials Dimensions Link
1978 The Key of Dreams Acrylic on paper 140 × 100 cm A-L
1978 Ten Illustrations for 'Radical Philosophy'
1980 Portrait of V.I. Lenin with Cap, in the Style of Jackson Pollock III 242.4 × 213.4 cm Tate
1980 Portrait of V.I. Lenin in the Style of Jackson Pollock V Enamel on canvas 239 × 210 cm Artsy
1980 Portrait of V.I. Lenin in the Style of Jackson Pollock VII Enamel on canvas mounted on board 105 × 100 cm Artsy
1980 Portrait of V.I Lenin in the Style of Jackson Pollock VIII Ink on paper Artsy
1980 Portrait of V.I Lenin by V. Charangovitch (1970) in the style of Jackson Pollock III Enamel paint on canvas mounted on wooden panel 105 × 100 cm Philips
1981 Gustave Courbet’s ‘Burial at Ornans’; Expressing a Sensuous Affection .../Expressing a Vibrant Erotic Vision .../Expressing States of Mind that are Vivid and Compelling Black ink, wash, gouache and wax crayon on cartridge paper, mounted on synthetic fabric 324 × 699 × 5 cm Tate
1981-1982 Index: The Studio at 3 Wesley Place Photograph, pencil, pen and ink, watercolour, black washes and collage on paper mounted on sandwich of paper and plastic foam 76.2 × 162.3 cm Tate
1982 Index: The Studio at 3 Wesley Place, Executed by Mouth (II) Pencil and carbon paper tracings on paper mounted on sandwich of paper and plastic foam 97.5 × 210 cm Tate
1982 Index: The Studio at 3 Wesley Place, in the Dark (IV), and Illuminated by an Explosion nearby (VI) Photograph, pencil, watercolour and acrylic on tracing paper mounted on paper mounted on sandwich of paper and plastic foam 78.4 × 162.7 cm Tate
1982 Index: The Studio at 3 Wesley Place (VI), Illuminated by an Explosion nearby Photograph mounted on sandwich of paper and plastic foam 106.7 × 160.3 cm Tate
1982 Index: The Studio at 3 Wesley Place, in the Dark (VI), Showing the Position of ‘Embarrassments’ in (IV) Photograph, black ink, wax crayon and metallic pencil on sandwich of paper and plastic foam 79.7 × 168 cm Tate
1984 Study for Impressionism Returning Sometime in the Future Pencil and acrylic on paper 107 × 168 cm A-L
1983 Study for Impressionism Returning Sometime in the Future III Pencil and acrylic on paper 99.1 × 139.7 cm Artsy
1985-1986 Index: Incident in a Museum II Oil and acrylic painting on canvas 174 × 271 cm
1985 Index: Incident in a Museum III Alogram and oil on canvas on plywood 174 × 271 cm
1985 Index: Incident in a Museum IV Alogram and oil on canvas 174 × 271 cm
1985 Index: Incident in a Museum V Alogram and oil on canvas 174 × 271 cm
1986 Index: Incident in a Museum VI Oil on canvas on plywood 174 × 271 cm
1986 Index: Incident in a Museum VII Alogram and oil on canvas 174 × 271 cm
1986 Index: Incident in a Museum VIII Alogram and oil on canvas 174 × 271 cm
1986 Index: Incident in a Museum IX Alogram and oil on canvas 174 × 271 cm
1986 Index: Incident in a Museum X Alogram and oil on canvas 174 × 271 cm
1986 Index: Incident in a Museum XI Alogram and oil on canvas 174 × 271 cm
1986 Index: Incident in a Museum XII Alogram and oil on canvas 243 × 379 cm
1986 Index: Incident in a Museum XIII Alogram and oil on canvas on plywood 174 × 271 cm
1986 Index: Incident in a Museum (Madison Avenue) XIV Alogram and oil on canvas on plywood 174 × 271 cm
1986 Index: Incident in a Museum XV Alogram and oil on canvas 243 × 379 cm
1986 Index: Incident in a Museum XVI Alogram and oil on canvas on plywood 243 × 379 cm
1987 Index: Incident in a Museum XVII Alogram and oil on canvas 271 × 379 cm
1987 Index: Incident in a Museum XVIII Oil on canvas 174 × 271 cm
1987 Index: Incident in a Museum XIX Alogram and oil on canvas on plywood 174 × 271 cm Tate
1987 Index: Incident in a Museum XX Alogram and oil on canvas 174 × 271 cm
1987 Index: Incident in a Museum XXI Photography and oil on canvas on plywood 234 × 379 cm
1986 Index: Incident in a Museum XXII (The decade, 2003 -2013) Alogram and oil on canvas on plywood
1987 Index: Incident in a Museum XXV 174 × 271 cm
1987 Unit Cure, Unit Ground X Acrylic on paper 101.3 × 137 cm Artsy
1989 Hostage XIII (3) Oil on canvas 147 × 152.3 cm Artsy
1990 Surf 76
1990 Hostage LXXIII Glass, oil on canvas on wood 214 × 142.5 cm Artsy
1990 Study for Hostage 48 Acrylic, ink and pencil on paper 127 × 88.9 cm Artsy
1990 Study for Hostage 60 Acrylic, ink and pencil on paper 130 × 90 cm Artsy
1990 Hostage LX Oil on canvas on wood with glass 214 × 142.5 Lisson Gallery
1990 Study for Hostage 65 Acrylic, ink and pencil on paper 127.5 × 88 cm Artsy
1991 Study for Hostage 79 Acrylic, ink and pencil on paper 130 × 90 cm Artsy
1991 Hostage LXXIX Glass, oil on canvas on wood 214 × 142.5 Lisson Gallery
1992 Hello, How Are You?
1992 Art & Language Paints a Picture text
1992 Exit (Now They Are) 2 Oil pastel on tracing paper and paper 136 × 100.5 cm Phillips
1992 3 Maps Set of 3 boxed jigsaws 5 × 24.5 × 32.5 cm Artsy
1995 Portrait of an Artist
1995 Study for Background, Incident, Foreground II Acrylic on paper 128 × 92 cm Phillips
1998-1999 Index: Wrongs Healed in Official Hope
1999 Lovely Slang V Glass over oil and mixed media on canvas laid on wood 59.5 × 42.5 cm Phillips
1999 Art & Language Paints a Picture: A Picture Painted by Actors Graphite and acrylic paint on canvas and alogram on canvas over plywood and mixed media Tate
There were sighs trapped by liars (XXIV) Acrylic on color photograph 87 × 119 cm Artsy
2000 Down to the Stone
2001 Framed unit No. # of Index (Landscape with St. George)
2002 Homes from Homes, Virus I Oil and enamel on canvas and mixed media 98 × 175 cm Lisson Gallery
2004 Thirty Studies for a Luhmann Memorial 30 works: collage, gouache on paper, passe-partout 30 × 26 cm Phillips
2004 Lovely Slang XXI Glass over oil and mixed media on canvas on wood 82.9 × 70 cm Lisson Gallery
2004 Lovely Slang XXII Glass over oil and mixed media on canvas on wood 69 × 60.8 cm Lisson Gallery
2004 Lovely Slang XXVIII Glass over oil and mixed media on canvas on wood 72 × 65 cm Artsy
2005 Karaoke Video, projection, colour and sound (stereo), 10 screenprints on paper and 13 ringbound booklets 41 min. 10 sec Tate
2007 No Secret Painting XI Painting and text Lisson Gallery
2007 Portraits of John Wayne, Jimmy Carter, Ad Reinhardt and Wile E. Coyote Acrylic, crayon and mixed media, 4 parts 90.3 × 39.7 × 38.5 cm Artsy
2007 Studies and Conversations: Qui Pourra Collage and mixed media on photograph 45 × 80 cm Artsy
2008 Qui Pourra HD Video 15 min. 36 sec. Lisson Gallery
2009 French Painting by Mouth Lasertran, acrylic and mixed media with 144 pages of text bound in four volumes 88 × 76 × 70 cm Artsy
2009 The Impression of Liars' Voices Acrylic on canvas and mixed media, framed picture Lisson Gallery

Phillips

2009 The Background of a Hostage Incident Acrylic on canvas and mixed media 89.6 × 42.3 × 35 cm Artsy
2009 An Interview with Mayo Thompson Acrylics on canvas and mixed media 101.3 × 47.5 cm Artsy
2009 Now They Are Again No Secret Acrylic on canvas and mixed media, framed picture Lisson Gallery
2009 Who Can Return? Acrylic on canvas, photograph and mixed media 98 × 48.5 × 36 cm Artsy
2009 Portraits and a Dream 144 pages of 32 lines of text each printed on grey A3 paper plus one blank page, arranged in a grid and pasted onto one wall, 144 sets of 'paperchains' consisting of 16 links, suspended in rows on cables stretched between two walls Lisson Gallery
2009 Portrait of Vladimir Putin in the Style of Jackson Pollock Oil and enamel on canvas; pencil on paper Lisson Gallery
2009-2010 Five American Background Songs Acrylic on canvas and mixed media, plexiglas top 105.2 × 58.5 × 41 cm Artsy
2011 Portrait and a Dream VII (1981) Ink and crayon on paper and mixed media Lisson Gallery
2011 Portrait and a Dream IX (1966) Ink and acrylic on paper and mixed media Lisson Gallery
2011 Portrait and a Dream XI (1968) Ink on photostat and mixed media, 2 parts Artsy
2012 Art & Language Paints a Picture (The performance of the Actors of the Jackson Pollock Bar); Art & Language Paints a Picture (Directions for the Actors) Oil on canvas trimmed in chains, mixed media, framed 200 × 350 cm Artsy
2012 Letters to The Red Crayola I (1968) Ink, acrylic, collage and mixed media on paper 35 × 75.6 cm Artsy
2012 Letters to The Red Crayola II (1972) Ink, acrylic, collage and mixed media on paper 41.4 × 61.2 cm Artsy
2012 Letters to The Red Crayola III (1990) Ink, acrylic, collage and mixed media on paper 41.4 × 41.4 cm Artsy
2012 Letters to The Red Crayola IV (1976) Ink, acrylic, collage and mixed media on paper 41.4 × 41.4 cm Artsy
2012 Letters to The Red Crayola V (2000) Ink, acrylic, collage and mixed media on paper 79.2 × 83.5 cm Artsy
2012 Letters to The Red Crayola VI (1997) Ink, acrylic, collage and mixed media on paper 42.5 × 62.7 cm Artsy
2012 Letters to The Red Crayola VII (1973) Ink, acrylic, collage and mixed media on paper 51.8 × 71 cm Artsy
2012 Letters to The Red Crayola VIII (1973) Ink, acrylic, collage and mixed media on paper 51.8 × 71 cm Artsy
2012 Letters to The Red Crayola IX (2009) Ink, acrylic, collage and mixed media on paper Artsy
2012 Letters to The Red Crayola X Ink, acrylic, collage and mixed media on paper 73.4 × 75.2 cm Artsy
2012 Letters to The Red Crayola XI (1982) Ink, acrylic, collage and mixed media on paper 52.3 × 102.8 cm Artsy
2012 Letters to The Red Crayola XII Artsy
2012 Letters to The Red Crayola XIII (1968) Ink, acrylic, collage and mixed media on paper 71.2 × 71.4 cm Artsy
2012 Letters to The Red Crayola XIV (1976) Ink, acrylic, collage and mixed media on paper 78.4 × 64.3 cm Artsy
2012-2013 Drawings from the Winter
2013 Part of an American Portrait Perforated offset print 19.1 × 19.1 cm Artsy
2013 Portraits and a Dream III Paper and canvas Artsy
2013 Portrait of President Barack Obama in the Style of Jackson Pollock Phillips
2013-2014 Nobody Spoke Installation comprising 17 'chairs', alogram on canvas over plywood with acrylic and mixed media Lisson Gallery
2014 Sea Ghost III Acrylic with ink and mixed media on canvas 176 × 149.5 cm Artsy
2014 Sea Ghost IV Acrylic with ink and mixed media on canvas 176 × 149.5 cm Artsy
2014 Sea Ghost V Acrylic with ink and mixed media on canvas 176 × 149.5 × 4 cm Lisson Gallery
2014 Tell Me, Have You Ever Seen Me? II, Xi Jinping Printed text on paper, ink, pencil and mixed media on paper, vitrine 120 × 50 × 50 cm Lisson Gallery
2015 Now They Are I 144 parts, ink and paint on paper 42 × 29.7 cm Artsy
2015 Not That it is Needed Now (Oak) VIII Oil on paper mounted on aluminum 34 × 34 cm Lisson Gallery
2015 Not That it is Needed Now (Archive) XX Oil and mixed medium on canvas 61 × 61 cm Lisson Gallery
2016 Now They Are II Indian Ink on laser printed text on Teslin 144 SRA3 sheets 45 × 31.7 cm Lisson Gallery
2016 Lovely Hostage IV Glass, oil on canvas 73 × 65 cm Artsy
2016 Lovely Hostage V Glass, oil on canvas 73 × 65 cm Artsy
2016 Lovely Hostage VI Glass, oil on canvas 73 × 65 cm Artsy
2016 These Scenes 5 mixed media works containing woodblock print, monotype, aquatint etching, etching, Xerox print, pencil drawing, crayon writing and collage on 300 gram laid paper 80 × 120 cm Artsy
2016 Have You Ever Seen Me? I Acrylic, collage and mixed media on paper 76 × 76 cm Lisson Gallery
2014-2017 Nobody Spoke Again Alogram with acrylic on canvas and mixed media 110 × 200 × 200 cm Artsy
2017 not to be seen Wood, electric wire, bulbs 160 × 60 × 60 cm Artsy
2017 Almost a Home for Homeless Stuff Screenprint 64 × 45 cm Artsy
2017-2018 Flags for Organisations II Gouache on Teslin with laser printed text 29.7 × 42 cm Artsy
2018 Studies and Conversations: Qui Pourra Ink and pencil on paper 40.1 × 94.7 cm Artsy
2018 Studies and Conversations: Qui Pourra Ink and acrylic on paper 40.1 × 94.7 cm Artsy
2018 Platons Hölle Oil on canvas 160 × 120 cm Artsy
2018 A Bad Place Indian ink on laser printed text on Teslin 252 × 710 cm Artsy
2019 Drawing from the Winter of 2013-2014 (107.4% Abstract) HP Indigo Print, Metapaper extrarough white 270g/qm 42 × 29.7 cm Artsy
2019 10 Posters Hand Silkscreen 120 × 80 cm Artsy
2019 A Shadow on the Tongue IV Indian ink over text on Teslin 168 × 148 cm Lisson Gallery
2019 A Shadow on the Tongue XIII Acrylic over text on Teslin 168 × 148 cm Lisson Gallery
2019 French Painting by Mouth (Chair in Bright Colours) Lasertran, acrylic and mixed media with 36 pages of bound text 88 × 38.4 × 35.5 cm Artsy
2021 FLAG Hand silkscreen on double 250 gram Poly-Opti-Premium-Cloth 200 × 120 cm Artsy

References

  1. ↑ https://fr.wikipedia.org/wiki/Mirror_Piece
  2. ↑ file:///C:/Users/noahf/OneDrive/Desktop/DIG_A-HIS-01896_033_l.pdf
  3. ↑ https://fr.wikipedia.org/wiki/Art_and_Language
  4. ↑ 4.0 4.1 https://specificobject.com/objects/info.cfm?object_id=15741
  5. ↑ https://unoriginalsins.co.uk/product/a-provisional-history-of-art-language-charles-harrisons-own-copy/
  6. ↑ https://archive.org/details/essaysonartlangu0000harr
  7. ↑ https://archive.org/details/conceptualartpai0000char/
  8. ↑ https://web.archive.org/web/20010512095317/http://members.tripod.de/ThomasDreher/3_Konzeptkunst_Art_Lang.html
  9. ↑ https://www.printedmatter.org/catalog/tables/13/12925
  10. ↑ https://specificobject.com/objects/info.cfm?inventory_id=5933&object_id=5871
  11. ↑ https://espace.library.uq.edu.au/view/UQ:379140
  12. ↑ https://www.macba.cat/en/learn-explore/publications/landscape-st-george-delivered-night
  13. ↑ https://www.chateau-montsoreau.com/wordpress/portfolio-item/art-language-entretien-avec-victorine-meurend/
  14. ↑ https://www.chateau-montsoreau.com/wordpress/portfolio-item/art-language-reality-dark-fragments-light-2/
  15. ↑ https://www.lespressesdureel.com/ouvrage.php?id=6911&menu=
  16. ↑ https://open.library.ubc.ca/media/download/pdf/831/1.0107092/1
  17. ↑ https://open.library.ubc.ca/soa/cIRcle/collections/ubctheses/831/items/1.0086655
  18. ↑ http://d-scholarship.pitt.edu/11494/1/ETD_Template_Robert__Bailey.pdf
  19. ↑ https://studenttheses.uu.nl/bitstream/handle/20.500.12932/10181/Thesis_Raoul_Noortmann.pdf
  20. ↑ https://www.macba.cat/en/aprendre-investigar/arxiu/tour-mit-art-language-und-niklas-luhmann-ein-theorie-roman-style-jackson
  21. ↑ https://www.kulturverlag-kadmos.de/programm/details/otma-lunl
  22. ↑ https://pureportal.coventry.ac.uk/en/studentTheses/strategic-anomalies-art-language-in-the-art-school-1969-1979
  23. ↑ https://etheses.whiterose.ac.uk/23145/1/LOUISA%20LEE%20PHD%20FINAL%20MARCH%204%202019.pdf
  24. ↑ 24.00 24.01 24.02 24.03 24.04 24.05 24.06 24.07 24.08 24.09 24.10 24.11 24.12 24.13 24.14 24.15 24.16 24.17 24.18 24.19 24.20 24.21 24.22 24.23 24.24 24.25 24.26 24.27 24.28 24.29 24.30 24.31 24.32 24.33 24.34 24.35 24.36 24.37 24.38 24.39 24.40 24.41 24.42 24.43 24.44 24.45 24.46 24.47 24.48 24.49 24.50 24.51 24.52 24.53 24.54 24.55 24.56 24.57 24.58 24.59 24.60 24.61 24.62 24.63 24.64 24.65 24.66 24.67 24.68 24.69 24.70 24.71 24.72 24.73 24.74 24.75 24.76 24.77 24.78 24.79 https://lisson-art.s3.amazonaws.com/uploads/attachment/file/body/21103/Art_Language_CV.pdf
  25. ↑ 25.0 25.1 https://lisson-art.s3.amazonaws.com/uploads/attachment/file/body/15812/Art_Language_Press_Pack.pdf
  26. ↑ https://www.kadel-willborn.de/en/data/exhibitions/64/letters-to-the-red-krayola.html
  27. ↑ https://www.cccod.fr/wp-content/uploads/2017/08/dp-al-cccod-en-06122017.pdf
  28. ↑ https://www.galleriesnow.net/shows/art-language/
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